Bound dyeline manuscript copy (J. & W. Chester), ff. i, 51 (pp. 1-94). Performance markings throughout in pencil, red pencil, and blue pencil. Copyist noted at the end of the work: P. W. Tilbrook (December 1943). First performance: Bedford, Corn Exchange, 1 October 1943. BBC Orchestra (Sect...
Pencil sketches and pencil draft; and amended first proofs of reduction for guitar and piano (J. & W. Chester, 1979). First performance: London, Church of St Bartholomew the Great, 4 July 1974. Julian Bream (guitar) and the English Chamber Orchestra, cond. Andrew Davis. For a piano reducti...
Autograph full score, in black ink , 68 ff. (pp. 1-38). With some additions in pencil and performance markings in red pencil. Signed on p. 1, and dated 'Cap Ferrat / 1934' at the end of the work. Pasted-down corrections: ff. 2,3,4 (two corrections), ff. 6, 7, 9, 10 (two corrections), ff. 11, 13...
Two scores: (1). ff. 1-60. Autograph full score, black and blue ink and pencil (title-page and pp. 1-87). Signed on the title-page and on f. 2. Dated '1939' at the end of the work. Pasted-down corrections: ff. 3, 4 (two corrections), ff. 11, 13, 17, 18 (two corrections), ff. 25, 30, 43, 44 (two ...
Sir Lennox Berkeley: Partita for chamber orchestra, Op. 66
Scope & Content:
Autograph full score; autograph reduction for piano (Prelude and Fugue, and Arias 1 and 2 only); and two annotated dyeline copies. First performance: Farnham, Parish Church of St. Andrew, 17 May 1965. Frensham Heights School Orchestra, cond. Edward Rice.
Sketches, draft, autograph score and annotated dyeline copy (Chester Music). First performance: London, Royal Festival Hall, 30 May 1978. Royal Philharmonic Orchestra, cond. Charles Groves.