This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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Richard Strauss: Opera in three acts, ‘Die schweigsame Frau’ (libretto, Stefan Zweig, after Ben Jonson), op. 80
Scope & Content:
Autograph. Vocal score, the orchestral part in short and compressed score on up to five staves. Written in blue-black ink. Includes full stage directions and spoken dialogue; the scenes within each act, which mostly follow one another without a break, are not always indicated. Staves are frequen...
Richard Wagner: Overture in D, ‘Rule Britannia’ (WWV 42): short and full scores, with sketches for incidental music to the play Die letzte Heidenverschwörung in Preussen (J. Singer) (WWV 41)
Scope & Content:
Autograph. In Mein Leben Wagner describes this work as ‘a further step in the direction of a type of composition calculated to make the most overwhelming effect; at the close ... a large military band was to be added to an already overmanned orchestra ...’. This is born out by his annotation ‘Hi...
Richard Wagner: ‘Der fliegende Holländer’ (WWV 63), opera in three acts (libretto, the composer), 1840-1841: copyists’ full score of Overture with autograph annotations, revised ending to Overture and to Act III in autograph full score; 1853, 1860
Richard Wagner: ‘Das Liebesverbot’ (WWV 38), comic opera in two acts (libretto, the composer after Shakespeare’s Measure for Measure), 1834-40: draft libretto, and French translation, with draft of a letter to Giacomo Meyerbeer