ROEDIGER COLLECTION. Vols. III, IV. Thematic catalogue in the original notation; aft. 1936. Similar format to Roediger, Die geistlichen Musikhandschriften der Universitäts-Bibliothek Jena, 1935.
FRASER-SIMSON MANUSCRIPTS. Vols. I, II . Full score of prologue and Act I, Act II. Autograph. The end of the prologue (50151, f. 17), which has been revised, is signed and dated March 1914. Red quarter-morocco bindings, gilt-stamped and -tooled.
FRASER-SIMSON MANUSCRIPTS. Vols. III, IV. Full score of prologue and Act I, Act II. Copy, lacking the additional number to words by Aveling. Blue quarter-morocco bindings, gilt-stamped and -tooled.
COTTRAU MANUSCRIPTS. Vol. I A-V. Orchestral parts for the three-act version; bef. 1890. Autograph and copies, with corrections, partly bearing notes relating to performances at Florence, Karlsbad, Sondershausen, Bratislava, Timisoara, Rome, Livorno, and Cagliari from 1890 to 1903.
COTTRAU MANUSCRIPTS. Vol. XI H, I. Two synopses of 'Griselda', the second translated from Musical Opinion and Music Trade Review, xv, London, 1891-2; 1892, n.d. Printed.
COTTRAU MANUSCRIPTS. Vol. XI J, K. Producer's notebooks for 'Griselda', Acts I and II, relating to stage dispositions, costumes, etc., for the production at the Teatro Rossini, Venice, during carnival, 1877-1878.