DOHNÁNYI MANUSCRIPTS. Vols. XXIV-XXVI (ff. 26, 19, 18). Photographs. Two albums with annotations by Ilona von Dohnányiand photographs. White leather bindings.
PERCY GRAINGER MANUSCRIPTS. Vols. I-III. 'Hill-Song I'. 'Room Music', 'A gathering of types for future Hill-Songs, a catalogue' (50867, f. 2b); composed and scored for twenty-one woodwind instruments 1901-1902, rescored 1921 and revised 1923. Full score and parts for twenty-two or twenty-three instruments published by Universal Edition 1924.
PERCY GRAINGER MANUSCRIPTS. Vols. V-X. Settings of poems by Rudyard Kipling. See K. Dreyfus, Percy Grainger's Kipling Settings. A Study of the Manuscript Sources, 1980, and T. Balough, 'Kipling and Grainger' in Studies in Music, 11, 1977, pp. 74-110.
PERCY GRAINGER MANUSCRIPTS. Vols. XI, XII. Mock Morris. For six solo strings or seven-part string band; 'begun 19.5.1910 ended 4.6.1910', 'Birthday-gift, Mother. 3.7.'10' (50877, f. 1, etc.). Rescored for chamber ensemble, 1952. Published by Schott 1911 (strings), 1913 (piano – popular version), 1914 (violin and piano duet), as Room Music Tit-Bits Nr. 1.
RUTLAND BOUGHTON MANUSCRIPTS. Vols. II, III. 'The Birth of Arthur', music-drama in two acts; 1908-1909. Libretto by Reginald Buckley and the composer. The first music-drama in Boughton's Arthurian cycle. First complete performance at the Glastonbury Festival, 16 Aug. 1920.
RUTLAND BOUGHTON MANUSCRIPTS. Vol. IV A, B. 'The Immortal Hour a Music-Drama Poem from the Spirit-Play of Fiona Macleod' (50963 A, f. 1), in two acts; composed 1912-1913 ('Score finished July 9.1914', 50963 B, f. 53). Full score. Composer's note of orchestra required (50963 A, f. 1). Dedicated to Christina Walshe (ibid.). First performed at the Glastonbury Festival, 26 Aug. 1914. Published in vocal score 1920; in full score 1923. Boughton's annotated copy of Fiona Macleod's The Immortal Hour...