THREE nocturns for four voices, from the book of Job, each in three lessons, by Orlando de Lassus. Paper; ff. 33. xviiith cent. Obl. Folio. Orlando di Lasso, composer: Sacred music: 18th cent.
1. "DOMINE, convertere ": gradual for four voices by Orlando de Lassus. f. 1. 2. Mass for four voices by [Giovanni Pierluigi da Palestrina, called] Prenestini. f. 3. 3. Miserere for four soli and double choir, by Gregorio Allegri. f. 19. 4. Mass for sixteen voices (four choirs) by Orazio B...
MADRIGALS and motets, in score, transcribed by John Immyns, containing:- 1. Three English madrigals, by the transcriber. f. 1. 2. Three motets in Latin and French, the first by Palestrina. f. 9. 3. Madrigal by Francesco Corteccia. f. 23. 4. Motets for two voices by Orlando de Lassus, tra...
" LIBER QUARTUS Cantionum Sacrarum ": motets chiefly by Clemens non Papa, printed at Louvain, 1553. Tenor part only. To this has been added, at f. 50, a collection, in the handwriting of M. Locke, of suites by himself and by Andreas Hammerschmidt and other masters of the old German school, as we...
MOTETS by Carissimi and Steffani, transcribed by the Rev. William Gostling. (See Rimbault's Old Cheque Book of the Chapel Royal, p. 220.) The invocations, etc., are altered by Thomas Bever, LL.D. Included is the oratorio of Jephte, by Carissimi, f. 69. At f. 26 b, is a setting of the 41st Psalm,...