Papers relating to what would have been a collaborative show/film with the Pip Simmons Theatre Company; material includes: planning notes and various show outlines.
Character notes for a production, which was considered for show 108; also present is a letter and outline, from Jessica Worrall to Mark Long, for a performance called Memorial Immorial.
Papers relating to a show, intended to be the company's 120th/121st production, based on the Greek mythology of Orpheus and Eurydice, and in collaboration with the National Theatre, and later with Roxana Silbert; material includes: correspondence, research items, and show outlines.
Correspondence relating to the company wanting to collaborate with Det Ferösche Compagnie, on a production surrounding Operation Valentine (the British invasion of the Faroe Islands, during the Second World War), and a copy of Eric Linklater’s The Dark of Summer.
Papers relating to a production that was intended to be the company's 130th show, including: funding documentation, performance contracts, a plot breakdown, and a script; Seagull Noir was supposed to be a sequel to show 121, The Detective Show.
Papers relating to two shows co-directed by Mark Long and Emil Wolk: High Time and Frank Rozelaar-Green's one-man show, Frankly Revealing; material includes: cue and show outlines, press, promotional material, and a script.