Copies 3 and 4 only. With pencil and red chalk markings and cuts made with paste-overs. The names of players are written on the parts: 'Calkin & Kearns', 'Glanville & Morris'.
With red chalk markings and cuts made with paste-overs. The names of players are written on the parts. 1. Cello/bass. 1 copy. 'Hatton & Howell'.2. Cello. 3 copies. 'Crouch & Lavenu', 'Phillips'.
3 copies. Title 'Guglielmo Tell'. With red chalk markings and cuts made with paste-overs and pinning. The names of players are written on the parts: 'Flower & Vaudralant', 'Wilson & Griffiths', 'Campanile'(?).
With red chalk markings and cuts made with paste-overs and pinning.1. First horn2. Second horn3. Horn on the stage. On green paper.4. Unidentified fragment of vocal score found with horn parts, text begins 'non posso o dio resistere a cosi rio dolor'.
Trumpet, trombone, bass trombone, ophicleide, timpani. With red chalk markings and cuts made with paste-overs and pinning. The trombone part is dated '1844' in Act 2, and at the end of Act 2 has the note '1 hour Long 3rd August 1843 Mr Costa's Benefit'.
Aria, with the name of the singer 'Madm Belloc' written on the front. The original words, beginning 'Ah se colpa un primo affetto', have been crossed out and replaced with others beginning 'Al più dolce e caro soggetto'.
Violin 1, 2 copies; - Violin 2, 1 copy . With red chalk markings and cuts made with paste-overs and pinning. With players' names written on: 'Griesbach & Condell', and singers also mentioned: 'Sr Placi', 'Righi', 'Sigr Garcia', 'Bellochi'. There are some stick-figure drawings in the violin 2 ...
Viola 2; - Double bass, 2 copies. With pencil and red chalk markings and cuts made with paste-overs and pinning. Double bass players' names added: 'Eley & Wilson'.
Flute, oboe, clarinets, bassoons and horns. (There are fragments only for flute, oboe and bassoons). The clarinet part has a note in pencil at the end of the overture, 'volti new song'.