Capella Imperfeita; the entrance archway, seen from the interior [Monastery of Santa Maria da Vitória, Batalha]. Photographer: Thompson, Charles Thurston
Scope & Content:
Genre: Architectural Photography General view of the richly-carved archway of the chapel.
Capella Imperfeita; details of the ornament of the entrance archway. Interior. (No. 1). [Monastery of Santa Maria da Vitória, Batalha]. Photographer: Thompson, Charles Thurston
Scope & Content:
Genre: Architectural Photography Close view of sculptural detail at the base of the arch, with a wooden scale reading, 'Two Feet.'
Capella Imperfeita; details of the ornament of the entrance archway. Interior. (No. 2.) [Monastery of Santa Maria da Vitória, Batalha]. Photographer: Thompson, Charles Thurston
Scope & Content:
Genre: Architectural Photography Close view of sculptural detail.
Jerusalem from the road to Bethany No. 1. Photographer: Cramb, John
Scope & Content:
Inscription: Signed 'Cramb' in the negative. Genre: Architectural Photography View looking towards the city walls, with the Aqsa Mosque visible beyond and, on the right, the Dome of the Rock (Qubbat al Sakhra).
Pool of Bethseda and Church of St. Anne. Photographer: Cramb, John
Scope & Content:
Genre: Architectural Photography 'We have now passed from the exterior to the interior of the city; and the view here presented is taken from the eastern wall, at a point a little to the north of St. Stephen's gate. The spectator is supposed to be standing near the left corner in the foreground...
Mosque of Omar [Dome of the Rock, Jerusalem]. Photographer: Cramb, John
Scope & Content:
Inscription: Signed 'Cramb 39' in the negative. Genre: Architectural Photography General view looking towards the platform on which stands the mosque of the Dome of the Rock (Qubbat al-Sakhra) and to the left the smaller Dome of the Chain (Qubbat al-Silsila). The dome of the Aqsa Mosque can be...
Genre: Urban Topographical Photography View ('taken from the roof of Max's private hotel') looking down onto and along the street, traditionally associated with Christ's route to Calvary: 'The probability is that the mournful procession, whose course tradition professes so minutely to trace alo...
Church of the Holy Sepulchre and Christian Street. Photographer: Cramb, John
Scope & Content:
Inscription: Signed 'Cramb 55' in the negative. Genre: Architectural Photography View from the upper storey of an adjoining building, looking towards the domes of the Church of the Holy Sepulchre, with Christian Street running off at the left.