View of a small European station beside a river, perhaps Chittagong and the Karnaphuli River (Bengal). Artist(s): Blagrave, Jane (fl. 1809-1840)
Scope & Content:
View of a small European station beside a river, perhaps Chittagong and the Karnaphuli River (Bengal). 1837. Inscribed on front in ink: ‘J.M.A. Blagrave. /37. Calcutta. Fairy Hill. Tempest Hill. East View.’ Pen-and ink; 7.5 by 10.25
View of the same European station as depicted in WD 1703, perhaps Chittagong and the Karnaphuli River (Bengal). Artist(s): Blagrave, Jane (fl. 1809-1840)
Scope & Content:
View of the same European station as depicted in WD1703, perhaps Chittagong and the Karnaphuli River (Bengal). 1837. Inscribed on front in ink: ‘J.M.A. Blagrave. Calcutta /37. Tempest Hill. Fairy Hill. South View.’ Pen-and-ink and water-colour; 7.5 by 10.25ins.
View of the maidan, Calcutta, with Government House and Ochterlony monument. Artist(s): Blagrave, Jane (fl. 1809-1840)
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View of the maidan, Calcutta, with Government House and Ochterlony monument. 1837. Inscribed on front of mount in ink: ‘1837. Govt. House. J.M.A. Blagrave.’ Gouache; 5.5 by 7.25
View of the Palace of Raja Balwant Singh, Ramnagar near Benares (U.P.), the Ganges with boats in the foreground. Thomas and William are seated on the deck of a pinnace which flies the Union Jack. Squared drawing for the aquatint published March 1796..
Scope & Content:
View of the Palace of Raja Balwant Singh, Ramnagar near Benares (U.P.), the Ganges with boats in the foreground. Thomas and William are seated on the deck of a pinnace which flies the Union Jack. 14 November 1789. Originally inscribed on mount in ink and pencil: ‘Ramnugar, near Benares, on th...
Gate leading to a mosque (in fact, tomb), Chunargarh (U.P.). Squared drawing for the aquatint published January 1797.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Gate leading to a mosque (i.e. tomb), Chanargarh (U.P.). 30 December 1789. Originally inscribed on mount in ink and pencil: ‘Gate leading to a Musjid at Chunar Ghar.’ Pencil; 16.25 by 23.75 ins. Note: Drawing for ‘Oriental Scenery,’ part 1, plate 24. The view shows the elaborately carved pr...
The Jami Masjid, Delhi (U.P.). Squared drawing for the aquatint published January 1797.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
The Jami‘ Masjid, Delhi (U.P.). 18 February 1789. Originally inscribed on mount in ink and pencil: ‘The Jumnah Musjid, Delhi.’ Pencil; 15.5 by 23.5 ins. Note: Drawing for ‘Oriental Scenery,’ part 1, plate 23. Squared.
The Rock of Trichinopoly, with the River Cauvery in the foreground. Squared drawing for the aquatint published December 1797.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
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The Rock of Trichinopoly, with the River Cauvery in the foreground. 8 June 1792. Originally inscribed on mount in ink and pencil: ‘The Rock of Tritchinopoly taken on the River Cauvery.’ Pencil; 16.25 by 23.5 ins. Note: Drawing for ‘Oriental Scenery,’ part 2, plate 19. Squared.
View of the Fort of Trichinopoly; a ghat, with figures bathing, in the foreground. Squared drawing for the aquatint published July 1798.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
View of the Fort of Trichinopoly; a ghat, with figures bathing, in the foreground. 10 June 1792. Originally inscribed on mount in ink and pencil: ‘View of the Fort of Trichinopoly.’ Pencil; 15.75 by 23.5 ins. Note: Drawing for ‘Oriental Scenery,’ part 2, plate 21. Squared.
View at Mamallapuram showing the lion, elephant and raths.Squared drawing for the aquatint published 15 October 1799. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
View at Mamallapuram showing the lion, elephant and raths. November 1792. Pencil; 16 by 23.75 ins. Note: Drawings for ‘Oriental Scenery,’ part 5, plate 1. Squared.
