'The upper part of Kailasa.' Plate 16 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Danie
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The upper part of Kailasa THE UPPER PART OF KAILASA. ‘Plates XV and XVI.’ These views were taken on the rock to the right of the entrance of ‘Kailasa’, looking down on the sculptured decorations of the roofs of this magnificent temple.
'Das Avatara.' Plate 17 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Daniell, Thomas (17
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Das Avatara. DASAVATARA. ‘Plate XVII. Plans E.’ ‘Dasavatara’, or the temple of the ten incarnations of ‘Vishnu’, is very near to the foregoing excavation, and is marked by No. 9, in the margin of the second general view. In the ground plan, No. 1, was formerly the entrance into the area 2,2,...
'The Ashes of Ravana.' Plate 18 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Daniell, Th
'The Ashes of Ravana, interior view.' Plate 19 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(
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The Ashes of Ravana, interior view. ASHES OF RAVANA. ‘XVIII and XIX. Plans E.’ The situation of this excavation is lower in the mountain than the last mentioned, and is marked by No. 10 in the margin of the second general view. The entrance is much decayed, two of the outer and one of the i...
'Tin-tali.' Plate 20 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Daniell, Thomas (1749-
Scope & Content:
Tin-tali. TIN-TALI. ‘Plate XX. Plans F.’ ‘Tin-tali’, or the temple of three stories, marked by 11 in the margin of the second general view. Ground floor. No. 1, the entrance. 2, a spacious area. The pillars of the ‘Tin-tali’ are all plain, excepting the two central ones at the entrance o...
'Do-tali.' Plate 21 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Daniell, Thomas (1749-1
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Do-tali. DO-TALI. ‘Plate XXI. Plans G.’ ‘Do-tali’, or the temple of two stories, is also known by the names of ‘Bharata’ and ‘Chitragun’, brothers of ‘Rama-chandra’: they are by the ‘Brahmans’ account the principal figures in this place, and to whom the temple is dedicated: it is marked by N...
'Viswakarma, exterior view.' Plate 22 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Danie
'Viswakarma.' Plate 23 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Daniell, Thomas (174
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Viswakarma. VISWAKARMA. ‘Plates XXII and XXlII Plans H.’ The situation of this curious temple is marked by No.13, in the third general view of the mountain. ‘Viswa-karma’ is considered by the Hindoos as the artist of the gods. This excavation seems to possess a greater variety in the desi...
'Dehr Warra.' Plate 24 from Hindoo excavations in the mountain of Ellora, near Aurungabad in the Deccan, in twenty-four views ... Engraved from the drawings of James Wales, by and under the direction of Thomas Daniell.. Artist(s): Daniell, Thomas (174
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Dehr Warra. DEHR WARRA. ‘Plate XXIV. Plans H.’ ‘The Hallalcore’s Quarter’. By this designation have the Brahmans, who describe them, thought proper to discriminate this group of caves, which, though making no conspicuous figure here, would render any other place illustrious. They, under th...