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Subject Boats Level [40] File

411. WD540(12)

Reference (shelfmark):
WD540(12)
Title:
Zoungyan-doung, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Zoungyan-doung, from the Steamer.’ FROM the frontier to this place, the scenery of the Irrawaddy, with its long range of densely clad hills on the west (whilst the eastern is low and frequently park like), always commanding admiration, continues imposing and beautiful. Its resemblance and freq...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

412. WD540(13)

Reference (shelfmark):
WD540(13)
Title:
Mengoon, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Mengoon, from the Steamer.’ No opportunity having been afforded of obtaining sketches of the large village of Laypadoh, — of the picturesque frontier town of Maloon, or of the village of Menhla, the residence of the Governor of Maloon, the next place of halting was Mengoon (or Myen-goon) — ‘Th...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

413. WD540(14)

Reference (shelfmark):
WD540(14)
Title:
Mag-way, Pagoda and River, looking north. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Mag-way, Pagoda and River, looking north.’ THE banks of the river now change their character. The right or western side becomes low, whilst the left rises into bold elevations. Mao-way — the largest town yet seen by the Mission — is built after the usual Burmese manner, in lines of houses para...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

414. WD540(15)

Reference (shelfmark):
WD540(15)
Title:
Yé-nan-gyoung, Petrolium or Earth Oil Creek. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Yé-nan-gyoung, Petrolium or Earth Oil Creek.’ THE town, viewed from the deck of the steamer. Yea-nan-gyoung, or ‘Fetid Water Creek,’ so called from the ‘Petroleum’, or Earth Oil, of which singular production this is the locality, stands on the eastern, or left bank of the Irrawaddy, and was r...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

415. WD540(23)

Reference (shelfmark):
WD540(23)
Title:
Panoramic view of Pagân, looking S.W. by S.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Panoramic view of Pagân, looking S.W. by S.’ THIS portion of the Panorama contributes but a few, and very minor, ruins to the scene. A sandy plain, dotted with patches of low jungle; a trifle of vegetation of a better kind near the banks; the river and hills upon the opposite shore, are all el...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

416. WD540(26)

Reference (shelfmark):
WD540(26)
Title:
Boo Phya, or Pumkin Pagoda, bank of the River, Pagân.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Boo Phya, or Pumkin Pagoda, bank of the River, Pagân.’ THIS singular Temple, the circular sloping base of which is washed by the waters of the Irrawaddy, crowns a succession of four terraces with parapets, and forms not the least remarkable object of a remarkable place. In itself it has certai...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

417. WD540(28)

Reference (shelfmark):
WD540(28)
Title:
Kyouk Taloung from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Kyouk Taloung from the Steamer.’ AFTER leaving Meen-gyan vegetation began to resume its place again upon the eastern bank; and now the ‘nodding verdure’ of umbrageous trees, amongst which the beautiful Tamarind, and the lofty Palmyra are again found, once more enrich the scene. Passing the to...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

418. WD540(29)

Reference (shelfmark):
WD540(29)
Title:
View in Kyouk Taloung; looking over the River.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘View in Kyouk Taloung; looking over the River.’ TAKEN from the rear of the town, the front and river view of which, covering the brow of an eminence, had whilst steaming past, elicited the greatest admiration. A considerable collection of pagodas, and other religious edifices, rearing their wh...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

419. WD540(33)

Reference (shelfmark):
WD540(33)
Title:
Umeerapoora, from the long wooden Bridge, crossing the Lake Toung-ummah.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Umeerapoora, from the long wooden Bridge, crossing the Lake Toung-ummah.’ THIS distant, flat, and very meagre view of the capital, or of its margin, is obtained from the long wooden bridge which crosses the lake ‘Toung-ah-mah’, lying eastward, or in rear of the city. The rustic but strongly bu...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

420. WD540(52)

Reference (shelfmark):
WD540(52)
Title:
The Eastern Bank above Mugway.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘The Eastern Bank above Mugway.’ REPRESENTS one amongst the many pictorial parts of the Irrawaddy’s bank. Bold, crag-like masses of sandstone, or sandy clay, cut into ravines, or water courses, by the rains, here and there enriched with patches of thick underwood, rise to a great height: and up...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

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