Chapter 3 of Guṇadhamma's translation of the Kaccāyanabheda. Extent and format of original material: 1 fascicle of 25 inscribed folios, complete. Author(s) of original material: Guṇadhamma.
Chapter 4 of Guṇadhamma's translation of the Kaccāyanabheda. Extent and format of original material: 1 fascicle of 26 inscribed folios, complete. Author(s) of original material: Guṇadhamma.
Chapter 5 of Guṇadhamma's translation of the Kaccāyanabheda. Extent and format of original material: 1 fascicle of 22 inscribed folios, complete. Author(s) of original material: Guṇadhamma.
Chapter 6 of Guṇadhamma's translation of the Kaccāyanabheda. Extent and format of original material: 1 fascicle of 17 inscribed folios, complete. Author(s) of original material: Guṇadhamma.
Chapters 7 and 8 of Guṇadhamma's translation of the Kaccāyanabheda. Extent and format of original material: 1 fascicle of 22 inscribed folios, complete. Author(s) of original material: Guṇadhamma.
Orthographic work for memorizing the spelling of finals and medials in Burmese syllables. Kabyāsāratthasaṅgaha by Ññoṅʻ kanʻ Charā toʻ Cakkindābhisirisaddhammadhaja mahādhammarājādhirājaguru (Jambudhaja) was one of the more widely used works of this genre in the nineteenth and early twentieth ce...
Orthographic work for memorizing the spelling of finals and medials in Burmese syllables composed by Kanʻ tvaṅʻʺ Charā toʻ (not credited in this manuscript). The work on it composition was finished on September 25, 1827. Among orphographic texts, Tu lvatʻ parame satʻ puṃ had one of the widest ma...
A short Vinaya work in Pali dealing with proper recitation of kammavācā composed in 1820/21. Composed by Rhaṅʻ Atulacakka from the town of Yaṅʻʺ toʻ, an abbot of a monastery sponsored by Yaṅʻʺ toʻ mruiʹ sū krīʺ Moṅʻ Pu. Extent and format of original material: Part of the fascicle of 3 (2 + ¼) i...