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Subject Madrigals Digitised Content Yes (available) Level [40] File

1. Add MS 29246

Reference (shelfmark):
Add MS 29246
Title:
Lute accompaniments to, or arrangements of, madrigals, masses, motets, and pieces originally written for string ensembles
Scope & Content:
Lute accompaniments to, or arrangements of, the following madrigals, masses, motets, etc., in Italian tablature. They appear to be arranged, roughly speaking, according to the number of voices, for which they were originally written, namely; 1-4, for two voices; 5-78, for 3 voices; 79 to end, fo...
Collection Area:
Music Collections
Languages:
Not applicable
Date Range:
after 1611
Extent:
1 volume (57 folios)

2. Add MS 29247

Reference (shelfmark):
Add MS 29247
Title:
Lute accompaniments to, or arrangements of, anthems, madrigals, and motets
Scope & Content:
Lute accompaniments to, or arrangements of, the following anthems, madrigals, and motets, in Italian tablature. They appear to be arranged, roughly speaking, according to the number of voices, for which they were originally written, namely; 1-72, for 5 voices; 73 to end, for 6 voices. 1. 'Prostr...
Collection Area:
Music Collections
Languages:
Not applicable
Date Range:
after 1611
Extent:
1 volume (77 folios)

3. Royal Appendix MS 58

Reference (shelfmark):
Royal Appendix MS 58
Title:
Collection of English vocal compositions, predominantly by anonymous authors.
Scope & Content:
Vocal compositions: one part only (except in no. 27), chiefly tenor. Unless the contrary is stated, they are anonymous. 1. 'A[h], the syghes that come fro my hert.' By W. Cornish. f. 1. 2. 'Though that she cannot Redresse.' f. 3b. 3. 'Colle to me the Rysshes greene.' f. 4. 4. 'Down bery down': a...
Collection Area:
Music Collections
Languages:
English, English, Middle, and Latin
Date Range:
Early 16th century
Extent:
1 volume (60 folios)

4. Royal MS 20 A XVI

Reference (shelfmark):
Royal MS 20 A XVI
Title:
Chansons, in French, set to music for several, but in most cases three voices, in parts.
Scope & Content:
Except where the contrary is stated, the chansons are for three voices and are anonymous. The contra-tenor is sometimes called 'Concordans.' The names of the composers are given only in a few cases, but several are by Josquin des Pres, and one at least (f. 10b) is by Alexander Agricola. Content...
Collection Area:
Western Manuscripts
Languages:
French
Date Range:
Early 16th century
Extent:
1 volume (36 folios)