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Subject coastal views Level [40] File

11. WD540(11)

Reference (shelfmark):
WD540(11)
Title:
The Frontier, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘The Frontier, from the Steamer.’ THE Frontier of the British and Burman territories, which was passed on the forenoon of the eleventh day of the journey, is marked on either shore by two white pillars, which in the drawing, as in reality, are distinguishable as little more than two white specs...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

12. WD540(12)

Reference (shelfmark):
WD540(12)
Title:
Zoungyan-doung, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Zoungyan-doung, from the Steamer.’ FROM the frontier to this place, the scenery of the Irrawaddy, with its long range of densely clad hills on the west (whilst the eastern is low and frequently park like), always commanding admiration, continues imposing and beautiful. Its resemblance and freq...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

13. WD540(13)

Reference (shelfmark):
WD540(13)
Title:
Mengoon, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Mengoon, from the Steamer.’ No opportunity having been afforded of obtaining sketches of the large village of Laypadoh, — of the picturesque frontier town of Maloon, or of the village of Menhla, the residence of the Governor of Maloon, the next place of halting was Mengoon (or Myen-goon) — ‘Th...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

14. WD540(14)

Reference (shelfmark):
WD540(14)
Title:
Mag-way, Pagoda and River, looking north. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Mag-way, Pagoda and River, looking north.’ THE banks of the river now change their character. The right or western side becomes low, whilst the left rises into bold elevations. Mao-way — the largest town yet seen by the Mission — is built after the usual Burmese manner, in lines of houses para...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

15. WD540(15)

Reference (shelfmark):
WD540(15)
Title:
Yé-nan-gyoung, Petrolium or Earth Oil Creek. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Yé-nan-gyoung, Petrolium or Earth Oil Creek.’ THE town, viewed from the deck of the steamer. Yea-nan-gyoung, or ‘Fetid Water Creek,’ so called from the ‘Petroleum’, or Earth Oil, of which singular production this is the locality, stands on the eastern, or left bank of the Irrawaddy, and was r...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

16. WD540(23)

Reference (shelfmark):
WD540(23)
Title:
Panoramic view of Pagân, looking S.W. by S.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Panoramic view of Pagân, looking S.W. by S.’ THIS portion of the Panorama contributes but a few, and very minor, ruins to the scene. A sandy plain, dotted with patches of low jungle; a trifle of vegetation of a better kind near the banks; the river and hills upon the opposite shore, are all el...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

17. WD540(24)

Reference (shelfmark):
WD540(24)
Title:
Panoramic view of Pagân, looking W.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Panoramic view of Pagân,’ ‘looking W.’ THE four preceding views were taken on the upward journey of the Mission: the concluding two were drawn on its return. Hence the river, having fallen considerably, presents a lower surface, and dry sand banks where none were before visible. This plate of...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

18. WD540(26)

Reference (shelfmark):
WD540(26)
Title:
Boo Phya, or Pumkin Pagoda, bank of the River, Pagân.. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Boo Phya, or Pumkin Pagoda, bank of the River, Pagân.’ THIS singular Temple, the circular sloping base of which is washed by the waters of the Irrawaddy, crowns a succession of four terraces with parapets, and forms not the least remarkable object of a remarkable place. In itself it has certai...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

19. WD540(27)

Reference (shelfmark):
WD540(27)
Title:
Meen-gyan, from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Meen-gyan, from the Steamer.’ TANTALIZED by late arrival at and early departure from the village of Koon-yooa, with its panorama of magnificent trees, colossal lions, beautiful pagodas and picturesque scenery generally, on the western bank, of which, consequently, no sketches could be obtained...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

20. WD540(28)

Reference (shelfmark):
WD540(28)
Title:
Kyouk Taloung from the Steamer. Artist(s): Grant, Colesworthy (1813-1880)
Scope & Content:
‘Kyouk Taloung from the Steamer.’ AFTER leaving Meen-gyan vegetation began to resume its place again upon the eastern bank; and now the ‘nodding verdure’ of umbrageous trees, amongst which the beautiful Tamarind, and the lofty Palmyra are again found, once more enrich the scene. Passing the to...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 Item

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