Olivier Archive. Vol. DCXCV (ff. ). Correspondence and papers relating to requests for Olivier to produce or act in plays or festivals, independent of contracts with other organizations; 1961-1983. Most of these were rejected by Olivier.
Olivier Archive. Vol. DCXCVI A (ff. ). Papers relating to Olivier’s early films, mostly contracts; 1930-1949. 1. ff. . Contract with Universum Film to play Peter Billie in Hocus Pocus; 1930 2. ff. . Contract with George King Ltd. for. Too many crooks; 1930 3. ff. . Contract with British ...
Olivier Archive. Vol. DCXCVI C (ff. ). Lady Hamilton’s attitudes (London; S. W. Fores; 1794). A slim volume of Emma Hamilton’s celebrated poses in the style of classical statuary, decribed on the half-title as ‘Drawings faithfully copied from nature at Naples and … dedicated to … Sir William ...
Olivier Archive. Vol. DCXCVII (ff. ). Papers relating to Olivier’s films; 1941-1947. 1. ff. . Press cuttings and text of broadcast made by Michael Powell and Olivier to New York on the premiere of 49th Parallel; 1941-1942. 2. ff. . Treatment for proposed film of The life and death of Colon...
Olivier Archive. Vol. DCXCVIII (ff. ). Synopsis prepared by Alan Dent, and treatments by Olivier revised by Alan Dent, with other research materials for the film.
Olivier Archive. Vol. DCXCIX (ff. ). Stothard’s Monumental effigies. The imposing volume bears the small but elegant bookplate of Roger Furse, who designed the costumes and sets for Henry V. The image of the effigy of Henry V in the film, showing Olivier as the King, is clearly inspired by the p...