John Gielgud Archive. Album of ephemera; 1934–1935. Material relating to the New Theatre production of Hamlet, and The old ladies. '8' gold-stamped on spine, which is completely detached.
John Gielgud Archive. Album of ephemera; 1935–1936. Material all relating to the Old Vic Romeo and Juliet, in which Gielgud and Olivier alternated the parts of Romeo and Mercutio. '9' gold-stamped on spine, which is completely detached and is missing three-quarters of the upper two sections o...
John Gielgud Archive. Album of ephemera; 1936. Material relating to The seagull, and the film of The secret agent. '9A' gold-stamped on spine, which is completely detached.
John Gielgud Archive. Album of ephemera; 1936–1937. Material all relating to Gielgud’s Hamlet in Toronto and New York. '10' gold-stamped on spine, which is completely detached.
John Gielgud Archive. Album of ephemera; 1937. Material relating to Hamlet in New York (mostly photographs), and He was born gay (Queen’s, Gielgud directing, and as Mason). '11' gold-stamped on spine, the top half of which is missing; the front board is detached and the back board missing.
John Gielgud Archive. Album of ephemera; 1937–1938. Includes cuttings, programmes, and photographs relating to Richard II and The school for scandal (Queen’s, Gielgud playing Richard and Joseph Surface, respectively), and Spring meeting (Ambassadors, Gielgud directing). Both front and back bo...
John Gielgud Archive. Album of ephemera; 1938–1939. Includes programmes, photographs, and cuttings relating to Three sisters and The importance of being Earnest (Queen’s, Gielgud as Vershinin and John Worthing, respectively). Also includes the invitation and programme for a Royal Reception at...
John Gielgud Archive. May 1939. Material relating to Hamlet, with Gielgud both directing and playing the lead role, at the Lyceum, in June 1939, and at the palace in Elsinore in Denmark in July. Includes numerous letters of appreciation for Gielgud’s performance both in London and Denmark.
John Gielgud Archive. 1939–1949. Cuttings, photographs, and programmes relating to The importance of being Earnest (Globe, September 1939); The beggars’ opera (Theatre Royal, Brighton, January 1940; Theatre Royal Haymarket, March 1940; Gielgud both directing and in the role of Macheath); King ...
John Gielgud Archive. 1941. Cuttings, etc, relating to Dear Brutus (Globe, January 1941 and tour, Gielgud directing and as Will Dearth); and the film The Prime Minister (as Disraeli).