D'Oyly Carte Opera Company: Correspondence concerning costumes
Scope & Content:
Correspondence with Chas. H. Fox Limited. 1925-1967; Correspondence with Betty Brown. 1975-1980; Correspondence with Morris Angel and Son, Ltd. 1922-1947; Correspondence concerning fans. 1950-1973.
D'Oyly Carte Opera Company: Correspondence concerning costumes and props
Scope & Content:
Correspondence with Gamba Shoes. 1924-1961; Papers concerning make-up for productions. 1964-1977; Correspondence with B.J. Simmons and Co., Historical and Theatrical Costumiers.1929-1958.
D'Oyly Carte Opera Company: Correspondence concerning costumes and props
Scope & Content:
Papers concerning Theatrework Ltd. 1957. Theatrework was set up by Elspeth Cochrane and Jacqueline Cundall; Correspondence with L. Gustave, wigmaker, 1927-1964; Correspondence concerning wigs, 1967-1976; Correspondence with ‘United London Workshops for the Blind Ltd’ and ‘Schools for the Blind’ c...
D'Oyly Carte Opera Company: Correspondence concerning wigs and costumes
Scope & Content:
Notes on wigs and costumes for Trial By Jury, The Sorcerer, H.M.S. Pinafore, The Pirates of Penzance, Patience, Iolanthe, Princess Ida, The Mikado, Ruddigore, The Gondoliers, The Yeomen of the Guard, Cox and Box.
D'Oyly Carte Opera Company: Correspondence with designers
Scope & Content:
Correspondence with: Osbert Lancaster (scenery and costume designer), 1970-1975; Bruno Santini (costume designer), 1976-1977; Stephen Bundy (scenery and costume designer), 1962; Correspondence with Peter Riley about Peter Rice’s new set designs, 1974.