(1.) Sketches and notes, on paper. For later sketches, the foliation includes a Roman numeral corresponding to the movement. (2.) Score. (3.) Timpani part.
Thea Musgrave: 'Echoes of Time Past', for cor anglais, trumpet, and string orchestra
Scope & Content:
(1.) 'Sketches'; 2000. (2.) Draft, still labelled 'sketches', with printed title page and prefatory page. Also included is a structural diagram. (3.) Score; 2000. (4.) Three items of correspondence with James Freeman, the conductor of Orchestra 2001, which commissioned the work; April 1999–August...
Thea Musgrave: 'Turbulent Landscapes', for orchestra: sketches and correspondence
Scope & Content:
(1.) 'Rough sketches' (2.) Draft ('Final sketches'). (3.) A certificate, dated 09/12/2005, relating to the nomination of the composition for a British Composer Award. (4.) Printouts of emails between Musgrave and dedicatees of individual movements.
Thea Musgrave: 'Wood, Metal and Skin', for percussion and orchestra
Scope & Content:
(1.) 'Rough sketches'. (2.) Draft ('Final sketches'). (3.) Score; 2004. Bearing corrections suggested by the typesetter John Mortimer and also post-performance corrections.
Thea Musgrave: 'Two's Company', a concerto for oboe and percussion and orchestra
Scope & Content:
Work dedicated to Nicholas Kraemer. Unpublished, but available on hire. (1.) Composition draft ('Final sketches'). (2.) Score; 2006. (3.) The final 12 leaves from the typeset score (typesetter probably John Mortimer), the last leaf (p.104) bearing autograph emendations in pencil and red ink. (4....
Thea Musgrave: 'Points of View', for chamber orchestra
Scope & Content:
(1.) Sketches ('Rough sketches'), with one leaf of the score reproduced in photocopy bearing annotations in red ink. (2.) Composition draft ('Final sketches'), with four leaves of the score reproduced in photocopy, with annotations. (3.) Reduced photocopy of the score, with annotations. (4.) Scor...
Thea Musgrave: 'Green', for twelve strings: score and parts
Scope & Content:
(1.) Score; 2007. (2.) Printout of message from Musgrave to 'John' (Mortimer), detailing corrections to the typeset score and parts, with a yellow post-it note addressed to 'Nicholas' (Dr Nicolas Bell). (3.) Typeset score and parts, annotated, with most such annotations indicated through the use ...