Landscape with river, hills and building on left, Teppakulam. 2 July 1792. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Landscape with river, hills and building on left, Teppakulam. 2 July 1792. Inscribed on back in ink: ‘175 Near Teppacollum.’ Pencil; 13.5 by 21.25 ins. Purchased 12 April 1964.
Ramparts of Fort St. George, Madras, overlooking the beach and sea. November 1792. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Ramparts of Fort St. George, Madras, overlooking the beach and sea. November 1792. Inscribed on back in ink: ‘Part of Madras.’ Pencil; 12 by 21 ins. Purchased 12 April 1964.
Landscape with hills and palm trees and the village of Tottiyam. 2-3 June 1792.. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Landscape with hills and palm trees and the village of Tottiyam. 2-3 June 1792. Inscribed on back in ink: ‘Near Totium.’ Pencil; 10.75 by 14.75 ins. Purchased 12 April 1964.
Sculpture of the marriage of Shiva; below, a row of ganas. Ramesvara Cave (No. 2 1), Ellora. Artist(s): Taylor, Philip Meadows (1808-1876)
Scope & Content:
Sculpture of the marriage of Siva; below, a row of ‘ganas’. Ramesvara Cave (No.21), Ellora. 1837. On back, unfinished pencil sketch of landscape. Inscribed on front in ink: ‘Marriage of Ram & Sita. Rameswur, Ellora.’ Pen-and-ink and wash; 13 by 17.75 ins.
N.E. View of the Beea-Mandah Hill and Caves. Sketched and Drawn by C. H. Burke. Artist(s): Burke, Charles Hyde (fl. 1822-46)
Scope & Content:
‘N.E. View of the Beea-Mandah Hill and Caves. Sketched and Drawn by C.H. Burke.’ Inscribed on back in ink: ‘India Pub. No. 25. 1848.’ Pen-and-ink and water-colour:10 by 31 ins.
Two sculptures numbered '8' and '9' made of blue grey stone, not from Amaravati.. Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculptures depicted in this drawing are not from Amaravati Stupa, but might have been sent to the British Museum, along with the other sculptures drawn by Murugesan Mudaliar.
Two stone sculpted figures. The one numbered '6' is from Amaravati Stupa and the other, numbered '7', is not. . Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculpture numbered '6' is now held in the British Museum. See Knox:215-6, #123 for '6'. The sculpture numbered '7' is carved from blue grey stone and is not from Amaravati, but it might have been sent to the British Museum at the same time as the other sculptures depicted in Murugesan Mudali...
Two sculptures numbered '8' and '9' made of blue grey stone, not from Amaravati.. Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculptures depicted in this drawing are not from Amaravati Stupa, but might have been sent to the Briitsh Museum, along with the other sculptures drawn by Murugesan Mudaliar.
Five sculptures, numbered '10' to '14', from Amaravati Stupa. . Artist(s): Murugesan Mudaliar (fl.1854)
Scope & Content:
The sculptures depicted in this drawing are now held in the British Museum. See Knox:157-8, #83 for '10', Knox:118, #59 for '11', Knox:112-3, #53 for '12', Knox:113-4, #54 for '13' and Knox:, #58 for '14'. The earliest known translation of the inscription on '10' is in APAC, IOR, F/4/2648, no.1...
