'The Castlets', Madras. Two neo-gothic castellated houses with a third house in the centre background. A palanquin stands at the door of the left-hand house, and in the centre are figures at a well. Artist(s): Gantz, John (1772-1853)
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'The Castlets', Madras. Two neo-gothic castellated houses with a third house in the centre background. A palanquin stands at the door of the left-hand house, and in the centre are figures at a well. c.1822. Inscribed on original mount in ink: ‘The Castlets, Madras.’ Water-colour; 12 by 19.5...
Shali Road, Simla (Punjab States). Mountain landscape with road in foreground and a villager driving a herd of goats. June 1876. Artist(s): Sankey, Sir Richard Hieram (1829-1908)
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Shali Road, Simla. Mountain landscape with road in foreground and a villager driving a herd of goats. June 1876. Inscribed on front in ink: ‘The Shali Road between Mall and Mashobra; 3/6/76’. Water-colour; 9.5 by 14 ins. Foster Catalogue, no.277.
The Adyar River; in the distance St. Thomas's Mount and garden houses beside the river; in the foreground a terrace and country boat. Artist(s): Gantz, Justinian (1802-1862)
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The Adyar River; in the distance St. Thomas's Mount and garden houses beside the river; in the foreground a terrace and country boat. 1836. Inscribed on original mount in ink: ‘West View of the Adyar River from the Terrace of the Adyar Villa. Just Gantz, Madras 1836.’ Water-colour; 12 by 17....
The snows seen from the Mall, Simla (Punjab States); in the foreground a lady with a parasol being carried in a jampan. Artist(s): Oldfield, Henry Ambrose (1822-1871)
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The snows seen from the Mall, Simla; in the foreground a lady with a parasol being carried in a jampan. 1848. Inscribed on original mount in ink’: The Snowy Range, from the Mall, Simla. 1848’; notes on back. Water-colour; 8.5 by 14 ins.
Panorama of the city of Lahore (Punjab) from the racecourse. December 1848. Artist(s): Oldfield, Henry Ambrose (1822-1871)
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Panorama of the city of Lahore (Punjab) from the racecourse. December 1848. Inscribed on original mount in ink: ‘The city of Lahore front the old racecourse. December 1848’; on front in pencil: ‘The nothern aspect of Lahore from the Faqueer's hut on the Race Course. The Summum Boorj of the R...
The Hazuribagh Darwaza, Lahore (Punjab). December 1848. Artist(s): Oldfield, Henry Ambrose (1822-1871)
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The Hazuribagh Darwaza, Lahore (Punjab). December 1848. Inscribed on front in water-colour: ‘Gateway in the Huzooree Bagh. Lahore. H.A. Oldfield. Decr. 1848’; notes on back in ink. Water-colour; 8.5 by 13 ins. Note: A coloured version of 2811.
Tomb of Ranjit Singh, Lahore (Punjab). January 1849. Artist(s): Oldfield, Henry Ambrose (1822-1871)
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Tomb of Ranj it Singh, Lahore (Punjab). January 1849. Inscribed on front in pencil: ‘Runjeet Singh's Tomb. Lahore. H.A. Oldfield. Jany 1849.’ Pencil; 9 by 14.25 ins.
Gateway in the Hazuribagh, Lahore (Punjab). January 1849. Artist(s): Oldfield, Henry Ambrose (1822-1871)
Scope & Content:
Gateway in the Hazuribagh, Lahore (Punjab). January 1849. Inscribed on front in water-colour: ‘Gateway in the Huzooree Bagh. H.A. Oldfield 1849’; on back in ink: ‘The 'Huzooree Bagh' is the 'Royal Garden', at Lahore. The buildings etc. in it are now used as Barracks & quarters for a Euro...
Distant view of the city of Lahore (Punjab) from the right bank of the Ravi River. January 1849. Artist(s): Oldfield, Henry Ambrose (1822-1871)
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Distant view of the city of Lahore (Punjab) from the right bank of the Ravi River. January 1849. Inscribed on front in pencil: ‘The City of Lahore, from the right bank of the Ravee - near the Bridge of boats. H.A. Oldfield, Jany 1849.’ Pencil; 8.75 by 14 ins.
Distant view of the city of Lahore (Punjab) from the right bank of the Ravi River. January 1849. Artist(s): Oldfield, Henry Ambrose (1822-1871)
Scope & Content:
Distant view of the city of Lahore (Punjab) from the right bank of the Ravi River. January 1849. Inscribed on front in water-colour: ‘City of Lahore. Jany 1849. H.A. Oldfield’; on back in ink: ‘The stakes connected by ropes, across the river, mark the site of a ford for elephants. The Bridg...