John Gielgud Archive. Album of ephemera; 1934–1935. Material relating to the New Theatre production of Hamlet, and The old ladies. '8' gold-stamped on spine, which is completely detached.
John Gielgud Archive. May 1939. Material relating to Hamlet, with Gielgud both directing and playing the lead role, at the Lyceum, in June 1939, and at the palace in Elsinore in Denmark in July. Includes numerous letters of appreciation for Gielgud’s performance both in London and Denmark.
John Gielgud Archive. 1958. Cuttings, etc., relating to The potting shed; Variation on a theme (tour, then the Globe, as director; Henry VIII (Old Vic, then tour, as Cardinal Wolsey); Five finger exercise (Comedy Theatre, as director); tour of Ages of Man in Europe and North America, complete...
John Gielgud Archive. 1958–1959. Cuttings, etc., relating to the Ages of Man recital tour in London (at the Globe), the U.S.A., and in Europe; the television versions of N. C. Hunter’s A day by the sea and Rattigan’s The Browning version (Gielgud’s debuts on British and American television, in...
John Gielgud Archive. 1963. Cuttings, etc., relating to the Ages of Man recital (on tour in Ireland, Scandinavia, Poland, and the USSR); the celebrated New York modern dress production of Hamlet, directed by Gielgud with Richard Burton in the title role; the film The loved one (as Sir Francis ...
John Gielgud Archive. 1963. Cuttings, etc., relating to The ides of March (tour and Theatre Royal, Haymarket, as Caesar); the Ages of Man recital on tour; the Richard Burton Hamlet; publicity material and reviews of Gielgud’s further memoirs Stage directions; the film Becket (as Louis VII). A...
John Gielgud Archive. 1981–1983. Roles in the films and television series Chariots of fire (as the Master of Trinity); Arthur (as Hobson, the butler); The conductor; Brideshead revisited (as Edward Ryder); Priest of love (as Herbert G. Muskett); Wagner (as Pfistermeister); The critic (as Lord ...
John Gielgud Archive. 1984–1985. The films The shooting party (as Cornelius Cardew); Scandalous (as Uncle Willie) described by Croall (op. cit., p.509) as 'an all-time low … disastrous … widely deemed a waste of celluloid'; Camille (as the Duke); and Wagner. Also includes numerous cuttings re...
John Gielgud Archive. Album of ephemera; 1936. Material relating to The seagull, and the film of The secret agent. '9A' gold-stamped on spine, which is completely detached.