Carson McCullers, The Ballad of the Sad Café (London: Penguin, 1987). With inscription [by Simon Callow]: 'For Peggy: After lunch at the Opera Terrace Summer '88'
Correspondence with Timothy O'Brien, Royal Opera House, Lars Schmidt, National Theatre and Australian Elizabethan Theatre Trust. Includes drafts and signed contract with the Royal Opera House for refurbishment of designs for 'Peter Grimes'
Correspondence regarding: UK, USA and other English-speaking territory rights; and publication. Correspondents: Toby Cole, Lucy Kroll, Ivor David Balding, University of Michigan, T Edward Hambleton, Harold Freedman Brandt & Brandt Dramatic Department, Phoenix Theatre, Heinemann Educational...
Correspondence regarding stage, film rights and publication. Correspondents: John Smith at Christy & Moore, William Morris Agency, Bernard J Kant, Librairie Ernest Flammarion, Peter Owen Ltd, Davis-Poynter Ltd, Anthony Shiel Associates, Fraser & Dunlop, Metro Goldwyn Mayer [MGM], Harbo...
Correspondence regarding film rights for 'The Family Way', based on stage play 'All in Good Time'. Correspondence between Margaret Ramsay Ltd, A D Peters & Co and: Mermaid Theatre, Derek Glynne Ltd, Campbell Hooper & Co, Sterling Lord Agency Dramatic Department, Coutts & Co, Harbot...
Correspondence with: Robin Dalton Associates [re Rodney Ackland], Richard Adams, Seymour Adams, W A Adams, George W Adamson, Gabriel Adekoya, Louis C Adelman, David Adland, A Akhgar, C J M Alberts, Ronald Alexander, P G Alderman, Guillermo Alfonso, Jamal Ali, Jack Allcock, Shirley Allcove, Flore...
Correspondence with: David Barlow Junior, Leonie Barnett [Leonie Barnett née Orton] and Alan Shaw, Turnstyle and Alan Ayckbourn [re Leonie Barnett and Alan Shaw], Morley Barnes, K J Barrell, Mark J Barron, John P Barter, Neil Bartlett, Andre Deutsch [re Neil Bartlett], Yosef Bar-Yosef, Eric Bass...