John Gielgud Archive. 1942–1943. Cuttings, etc., relating to Macbeth (touring production, January 1942); The importance of being Earnest (Phoenix, October 1942); and Love for love (tour and Phoenix, March/April 1943, as Valentine). All these plays Gielgud also directed.
John Gielgud Archive. 1952–1953. Cuttings, etc., relating to Macbeth (Shakespeare Memorial Theatre, Stratford, as director); Richard II (Lyric, Hammersmith, as director); and The way of the world (also Lyric, Hammersmith, as Mirabell); and to the film of Julius Caesar (as Cassius). Also inclu...
John Gielgud Archive. 1954–1955. Cuttings, etc., relating to Twelfth night (Memorial Theatre, Stratford); Much ado about nothing (Palace Theatre, as Benedick, and also directing); King Lear (also the Palace, and on tour, as Lear) and Richard II (Royal Theatre, Bulawayo, Rhodesia, as Richard.
John Gielgud Archive. 1939–1949. Cuttings, photographs, and programmes relating to The importance of being Earnest (Globe, September 1939); The beggars’ opera (Theatre Royal, Brighton, January 1940; Theatre Royal Haymarket, March 1940; Gielgud both directing and in the role of Macheath); King ...
John Gielgud Archive. 1941. Cuttings, etc, relating to Dear Brutus (Globe, January 1941 and tour, Gielgud directing and as Will Dearth); and the film The Prime Minister (as Disraeli).
John Gielgud Archive. 1944. Cuttings, etc., relating to The cradle song (Apollo, January 1944, as director); Crisis in heaven (tour and Lyric, Hammersmith, March/May 1944, as director); Love for love (Theatre Royal Haymarket, as Valentine and director).
John Gielgud Archive. 1944. Cuttings, etc., relating to The last of summer (Lyric, Hammersmith, as director); Hamlet; and, The circle (Theatre Royal, Haymarket, as Hamlet, and A. Champion-Chesney, respectively).