Audience hall of the Mahal Sarai, Rohtasgarh. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography 'Passing through this gateway the passage leads into a sort of courtyard, and immediately opposite the entrance is one of the finest buildings in the whole place. It was the public reception room, and was called the Barahdoware [Baradari] or twelve gates, and it...
Temple at Rohtasgarh. Photographer: Peppé, Thomas Fraser
Scope & Content:
Genre: Architectural Photography View looking down onto a small, domed temple. 'At the south-east corner of the table-land there are some curious old buildings constructed evidently from the stones from some still earlier buildings. At the foot of a long flight of steps, leading up to the Hindo...
Right-hand section of Arjuna's Penance, not fully excavated, Mamallapuram. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Head-on view of the section of the sculpture with the two elephants at the base. Received 'From Mrs Breeks July 1873'. India Museum no. 1112.
Close view of elephant sculpture on right-hand section of Arjuna's Penance, with Nagaraja sculpture in foreground, Mamallapuram. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography A close view from the left of the large elephant, with the Nagaraja sculpture half-buried in the ground in front. Received 'From Mrs Breeks July 1873'. India Museum no. 1113.
