Dwelling of a native gentleman, Calcutta. Photographer: Fiebig, Frederick
Scope & Content:
Genre: Architectural Photography A somewhat distant view of a very substantial mansion in European style, with a group of thatched houses in front and Indian figures and a pony carriage posed in the foreground.
A ferry boat [on the Hugli]. Photographer: Fiebig, Frederick
Scope & Content:
Genre: Landscape Photography View from the riverbank, looking towards a wooden ferry boat moored at the water's edge, with figures posed in the foreground.
Hindoo temple, Bengal [Kali Bari Temple, Shyamnagar]. Photographer: Fiebig, Frederick
Scope & Content:
Genre: Architectural Photography View from the riverbank looking towards the temple. An album in private hands, viewed in 1997 and captioned in French, contains a view of this temple, which is identified as the 'Temple of Samnuggur on the left bank of the Hugli near Chandannagar' (ie, the Kali ...
Establishment of an English gentleman, Calcutta. Photographer: Fiebig, Frederick
Scope & Content:
Genre: Architectural Photography View from the driveway, looking towards a substantial two-storey house, with Europeans and a large group of domestic staff posed in the foreground. This is possibly one of the many mansions in the Garden Reach area of the city.
Mosque, corner of Dhurrumtollah, Calcutta. Photographer: Fiebig, Frederick
Scope & Content:
Inscription: Signed in the negative 'F. Fiebig' (signature cropped). Genre: Architectural Photography General view of Tipu Sultan's Mosque at the junction of Dhurrumtollah Street and Esplanade Row.
School in Barrackpore Park. Photographer: Fiebig, Frederick
Scope & Content:
Inscription: Signed in the negative 'F. Fiebig.' Genre: Architectural Photography View looking towards the small gothic building, with a row of Indian pupils posed in the foreground.
Ghaut on the Hooghly [Calcutta]. Photographer: Fiebig, Frederick
Scope & Content:
Inscription: Signed in the negative 'F. Fiebig' (signature cropped). Genre: Architectural Photography View looking along the river from the steps of the ghat, with temple buildings partly visible on the right. This photograph shows the same location as prints 36 and 52, possibly at the Dakshin...