Reverse: six green parakeets fly and alight around a formalised flowering shrub with Harivallabha’s Hindi verse inscribed on their bodies; the Persian identification is inscribed in a flower in the centre.
Patamanjari Ragini. A lady sits on a terrace listening to her attendant. The lady is disconsolate for she suspects her lover of infidelity in spite of the assurances of her maidservant. Pavilions are on either side and there is a landscape beyond with a wind-swept lake.
Reverse: a page of floral panels with Harivallabha’s Hindi verses interspersed; the Persian identification is inscribed on a white flower in the centre.
Desakhya Ragini. A prince is enthroned alone on a terrace holding up his right hand as if to hold a jewel or flower. He is dressed in white with a jewelled turban; pavilions are on either side.
Reverse: a page of floral panels with Harivallabha’s Hindi verses interspersed; the Persian identification is inscribed on a contorted leaf in the centre. Note: ‘Desakhya Ragini’ is normally depicted as male athletes. Harivallabha describes ‘Desakhya’ as a ‘raga,’ as denoted also in the Persia...
Ramakali Ragini. The lover kneels on the bed before his offended lady holding out his hands as if pleading with her. A canopy is set on the terrace above the bed and there is a pavilion with a chamber on the left.
Reverse: a page of floral panels with Harivallabha’s Hindi verses interspersed; the Persian identification is inscribed on a yellow flower in the centre.
Lalita Ragini. A youthful lover holding a garland and a floral wand leaves his lady sleeping in a pavilion at dawn; formal flower-beds flank the terrace and a simple hillside is beyond.