Malasri Ragini. The lady stands on a hillock by a tree holding a red lotus in her right hand. Reverse: Braj Bhasha verse in ‘nasta‘liq.’ See Gangoly (1935), II, pl.LV for the Sanskrit description.
Dhanasri Ragini. The lady sits drawing a picture of her lover while an attendant sits before her holding a shallow cup. Reverse: verse in ‘nasta‘liq.’ See Gangoly (1935), II, pl.LVIII for the Sanskrit description.
Asavari Ragini. The lady sits on a rocky hillock beneath trees, pulling a large serpent towards her which she has lured with a snake-charmers pipe which is now discarded beside her. Reverse: Braj Bhasha verse in ‘nasta‘liq.’ Reproduced: Stchoukine (1929), pl.LXXIX. See Gangoly (1935), II, pl...
Megha Raga. A lord is seated on a ‘gaddi’ with four courtiers kneeling before him and an attendant waving a fly-whisk. A cuckoo flies overhead. See Gangoly (1935), II, pl.LXV for the Sanskrit description.
Malarika Ragini. A girl sits by a pavilion holding a ‘vina.’ The verses describe how she weeps in dejection, her mind confused by the passion of youth. See Gangoly (1935), II, pl.LXVII for the Sanskrit description.
Desakari Ragini. A gold-complexioned girl sits on a terrace with her lover with whom she exchanges a confident glance. See Gangoly (1935), II, pl.LXXV for the Sanskrit description.
Bhupali Ragini. A lady stands in the porch of a pavilion, raising her right hand in expression of grief in separation. See Gangoly (1935), II, pl.LXXVI for the Sanskrit description.
Gujari (or Daksina-Gujari) Ragini. A girl sits on a couch strewn with flowers holding a ‘vina’ with one hand and putting the other to her ear (indicating her ability to distinguish notes and quarter-tones). See Gangoly (1935), II, pl.LXXIV for the Sanskrit description.
Tanka Ragini. The lover arriving at a chamber, finds his lady reclining on a bed, her mind distracted by separation from him. See Gangoly (1935), II, pl.LXXVII for the Sanskrit description.