Devgandhar Ragini. A wasted male ascetic is seated on a tiger-skin in a landscape with a lotus pool in the foreground, a pair of deer seated by him. Original number: ‘17’. Note: The iconography appears to have become confused with that of Majnun in the wilderness with his animals.
Madhumadhavi Ragini. A lady extends her hand towards a peacock perched on the wall as she crosses a courtyard towards a bed-chamber. Clouds are gathering in the sky. Original number: ‘18’.
Patamanjari Ragini. A lady is seated in a pavilion listening to the consolatory pleas of her confidante who kneels before her. Original number: ‘5’. Entitled ‘Patamanjani’ in the inscriptions.
Ramakali Ragini. The lover kneels before his lady who turns her head away from his pleas. A confidante stands on the left reasoning with the lady. Original number missing.
Kanada Ragini. A princely warrior rides upon an elephant caparisoned with bells, while a ‘sais’ runs ahead holding a banner. Original number: ‘22’. Entitled ‘Kanara’ in the inscriptions. Reproduced: Ebeling (1973), 169, fig.41.
Kamoda Ragini. An ascetic is seated on a tiger-skin by a lotus pool with fishes, holding a red flower in his right hand; a buck and doe rest by him. Original number missing. Reproduced: Ebeling (1973), 169, fig.40.
Setmalar Ragini. An ascetic is seated on a tiger-skin in a landscape, holding a rosary and attracting peacocks around him. Original number: ‘33’. Entitled’ Sudhamalara’ in the inscriptions.
Bhairava Raga. A lover is seated in a pavilion with his lady, holding up a cup of wine, a girl attendant waves a ‘chauri’. Original number: ‘1’. Inscriptions on reverse list the ‘raginis’ of’ Bhairava Raga’ as: ‘Malasri, Maru, Lalita, Patamanjari’ and’ Bhairavi.’