Papers relating to a show, intended to be the company's 120th/121st production, based on the Greek mythology of Orpheus and Eurydice, and in collaboration with the National Theatre, and later with Roxana Silbert; material includes: correspondence, research items, and show outlines.
Correspondence relating to the company wanting to collaborate with Det Ferösche Compagnie, on a production surrounding Operation Valentine (the British invasion of the Faroe Islands, during the Second World War), and a copy of Eric Linklater’s The Dark of Summer.
Papers relating to a production that was intended to be the company's 130th show, including: funding documentation, performance contracts, a plot breakdown, and a script; Seagull Noir was supposed to be a sequel to show 121, The Detective Show.
Papers relating to two shows co-directed by Mark Long and Emil Wolk: High Time and Frank Rozelaar-Green's one-man show, Frankly Revealing; material includes: cue and show outlines, press, promotional material, and a script.
Material relating to shows 1 to 98, mostly comprised of press-clippings, promotional items and photographs (originals and photocopies), which were brought together by one of the company's longest serving members, from the company's archive (and potentially his own records) and originally arranged...
Collection Area:
Western Manuscripts
Languages:
Croatian, Danish, Dutch, English, French, German, Italian, Polish, Russian, and Swedish
Material includes photographic items and press; also present are photographs relating to the company's yellow-suitcase happening; no items for show 27.