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Project / Collection Japanese manuscripts Material Type Archives and Manuscripts

321. Or 15533

Reference (shelfmark):
Or 15533
Title:
Kantsubaki kibishiku ikishi hi no tooku by 寒椿厳しく生きし日の遠く
Scope & Content:
Haiku poem of reminiscences inspired by a winter camellia. Mixed kana/kanji calligraphy by Hōga Kōshū 法元康州. The manuscript is undated but the lid of its box bears an inscription dated Heisei 10 [1998].
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
Heisei 10 [1998]
Extent:
1 sheet.

322. Or 15534

Reference (shelfmark):
Or 15534
Title:
Ogurayama fumoto no nobe no hana susuki honoka ni miyuru aki no yūgure おぐらやまふもとの々邊の者那すすき本の可耳見ゆる秋のゆうぐれ
Scope & Content:
Anonymous waka poem on an autumn evening at Mt. Ogura from the Shin Kokinshū (no.347). Kana calligraphy by Horie Tomohiko 堀江智彦 (1907-1988).
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
1983
Extent:
1 sheet.

323. Or 15535

Reference (shelfmark):
Or 15535
Title:
Ichirin no hana no maboroshi 一輪の花のまぼろし
Scope & Content:
‘Illusion of a single flower’. Mixed kanji/kana calligraphy by Iidaka Kazuko 飯高和子 (1937-) .
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
c 1998
Extent:
1 sheet

324. Or 15536

Reference (shelfmark):
Or 15536
Title:
Chihaku shukoku 知白守黒
Scope & Content:
Chinese reading: Zhi bai shou hei. ‘Knowing the light, preserving the dark’. Quotation from chapter 28 of the 'Daodejing' by the Daoist philosopher Laozi. Calligraphy in clerical (reisho) style by Kogi Taihō 小木太法 (1923-2012).
Collection Area:
Oriental Manuscripts
Languages:
Chinese and Japanese
Date Range:
1996
Extent:
1 sheet

325. Or 15537

Reference (shelfmark):
Or 15537
Title:
Su 棲
Scope & Content:
‘Nest’. Calligraphy in avant-garde cursive (sōsho) style by Kohama Taimei 小浜大明 (1945-).
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
1997
Extent:
1 sheet.

326. Or 15538

Reference (shelfmark):
Or 15538
Title:
Yama kurete yama no koe o kiku 山暮れて山の声を聞く
Scope & Content:
Haiku poem by Taneda Santōka 種田山頭火 (1882-1940) inspired a mountain scene at dusk. Mixed kanji/kana calligraphy by Kotake Sekiun 小竹石雲 (1949-).
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
c 1998
Extent:
1 sheet

327. Or 15539

Reference (shelfmark):
Or 15539
Title:
Yamazakura ima kyōran no mai o mau uzuki nakaba no sansō no yoi やまざくら今狂乱の舞をまふ卯月なかばの山荘のよひ
Scope & Content:
Waka poem by Kujō Takeko 九條武子 (1887-1929) inspired by a wild cherry on an April evening. Kana calligraphy by by 小山素洞 (1916-2011).
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
c 1998
Extent:
1 sheet

328. Or 15540

Reference (shelfmark):
Or 15540
Title:
Kyō wa moshi hito moya ware o omoi-izuru ware mo tsune yori hito no koishiki 今日はもし人もや我を思ひいづる我もつねより人の恋しき
Scope & Content:
A love poem from the 'Fūga wakashū 風雅和歌集' by Empress Eifukumon’in 永福門院 (1271-1342). Kana calligraphy by Masuda Fujiko 増田ふじ子 (1950-).
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
c.1998
Extent:
1 sheet

329. Or 15541

Reference (shelfmark):
Or 15541
Title:
Taichi wa gu naru ga gotoshi 大智如愚
Scope & Content:
‘Great wisdom looks like foolishness’. Calligraphy in cursive (sōsho) style by Minagawa Gashū 皆川雅舟 (1923-2011).
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
c 1998
Extent:
1 sheet

330. Or 15542

Reference (shelfmark):
Or 15542
Title:
Maka hannya haramitta shingyō 摩訶般若波羅蜜多心経
Scope & Content:
Copy of the Mahayana Buddhist text the Prajñāpāramitāhṛdaya or 'Heart Sutra'. Calligraphy in regular (kaisho) style by Miyamoto Chikkei 宮本竹逕 (1926-2002). Colophon dated Heisei 7 [1995]: 平成七年十二月三十日午后四時終.
Collection Area:
Oriental Manuscripts
Languages:
Japanese
Date Range:
Heisei 7 [1995]
Extent:
1 sheet