Autograph manuscript in pen and ink with authorial revisions and [editorial?] pencil corrections. This is the fifth volume of Peake's manuscript, as indicated on the cover. Brief notes [towards drawings for 'The Works of Adolf Hitler'] on f.35v. There are notes at the end of the manuscript inclu...
Comprises: typescript leaves entitled 'Titus in Umbra', with handwritten revisions and additional handwritten leaves; autograph draft of poem 'White Mules at Prayer'; typewritten letter [from Peake's typist Hilda Neal], dated 5 July 1948, with conclusion of Chapter 7 in Peake's hand on reverse.
Revised autograph draft in different colour inks and pencil. Additional leaves pasted in. Notes on plot development and quotes from Tennyson and John Marston at end of the manuscript. Dated June 1957, Wallington and July 1957, Sark. Sketches in ink include: f.1: figures on cliff-top [Gormenghas...
Revised draft. List of characters on f.85v. Notes on story, characters, dialogue and potential titles at end of manuscript. Beginning of poem 'Love has left us' on f.82. Inscribed 'Smarden, Kent'. Undated. Doodles throughout manuscript plus the following sketches in pencil, ink and wash: f.9: t...
Letters re Peake's work from friends, acquaintances and strangers. Some letters are from academics; others are more general fan mail. Letters answered by Maeve Gilmore as Peake was too ill to respond personally.
Printing plate etched with decorative border featuring characters from the story. Published in Lewis Carroll, The Hunting of the Snark, illustrated by Mervyn Peake (London: Chatto & Windus, 1941). Block is inscribed 'Mrs Peake'. Undated.