Bhupali Ragini. A lady stands in the porch of a pavilion, raising her right hand in expression of grief in separation. See Gangoly (1935), II, pl.LXXVI for the Sanskrit description.
Gujari (or Daksina-Gujari) Ragini. A girl sits on a couch strewn with flowers holding a ‘vina’ with one hand and putting the other to her ear (indicating her ability to distinguish notes and quarter-tones). See Gangoly (1935), II, pl.LXXIV for the Sanskrit description.
Tanka Ragini. The lover arriving at a chamber, finds his lady reclining on a bed, her mind distracted by separation from him. See Gangoly (1935), II, pl.LXXVII for the Sanskrit description.
Gunakali Ragini. A disconsolate lady is seated on a chair beneath a canopy on a terrace. She has discarded her jewellery on to the ground and three maids stand by to console her. By Mohan Singh. 239 by 144 mm.
Kakubha Ragini. A couple is engaged in sexual intercourse on a terrace beneath a canopy. By Udwat Singh. 226 by 137 mm. Note: The Persian inscription refers to ‘the science of love-making, which the people of Hind call ‘Kama shastra’’.
Hindola Raga. The hero sits on a swing with his lady, holding a ‘vina’ in one hand. Two maids swing them and a third offers a cup of wine. Waterfowl are massed on the lake beyond. 220 by 133 mm.
Vilavali Ragini. A lady with blue complexion is seated against yellow cushions on a terrace, holding betel to her lips. A lake is beyond beneath a stormy sky. By Ghulam Reza. 222 by 138 mm.
Desakhya Ragini. One male and four female athletes perform with pole, bow, weights and clubs. Two girls attend with dishes of sweetmeats. 213 by 143 mm.