Todi Ragini. A girl holds a ‘vina’ while feeding grass to deer which approach her from either side. There is a shrine on a hill behind. Identified in Hindi: ‘Todi Ragini’ and numbered ‘15’; on reverse in Persian: ‘Ragini Todi.’
Adana Ragini. A prince sits on the roof of a lakeside pavilion listening to an ascetic with a ‘vina.’ Inscribed with Hindi verse, identifying ‘Ragini Adana’; on reverse in Persian: ‘Ragini Adana.’ 234 by 161 mm; page 243 by 171 mm. Note: The iconography approximates to Kedara Ragini. A pict...
Barvai Ragini. A girl holding two garlands stands between pavilions before a lotus pool. Inscribed with Hindi verse, identifying ‘Ragini Barvai’; on reverse in Persian: ‘Ragini Barvi.’ 234 by 161 mm; page 245 by 170 mm.
Malavi Ragini. A couple walk arm in arm towards a bed-chamber; the man holds a garland. A moon-chariot is crossing the sky. Identified in Hindi: ‘Malavi Ragini’ and numbered ‘10’; on reverse in Persian: ‘Ragini Mala’ ‘Gauri.’
Lalita Ragini. The lover leaves his lady, at dawn, carrying a garland. His horse and groom wait in the foreground. Identified in Hindi: ‘Lalita Ragini’ and numbered ‘6’; on reverse in Persian: ‘Ragini Lalit.’
Kamoda Ragini. The ‘nayika’ in separation from her lover takes the part of a female ascetic and sits outside it pavilion before a lingam shrine adorned with lotus petals. Identified in Hindi: ‘Kamoda Ragini’ and numbered ‘33’; on reverse in Persian: ‘Ragini Kamod.’
Bhairavi Ragini. A lady, kneeling and playing cymbals, worships at a lingam shrine to Siva. Three maids are in attendance on the left. Identified in Hindi: ‘Bhairavi Ragini’ and numbered ‘2’; on reverse in Persian: ‘Ragini Bhairavi.’
Gauri Ragini. A girl holding two flower-sprays stands at the foot of a hill by a fountain. Identified in Hindi: ‘Gauri Ragini’ and numbered ‘8’; on reverse in Persian: ‘Ragini Gauri.’
Malkos Raga. A prince and his consort sit on a throne attended by maids; the consort offers ‘pan’ while the prince holds her breast. Two musicians are playing. Identified in Hindi: ‘Malakaus Raga’ and numbered ‘7’.
Megha Malar Raga. A bearded ascetic sits on a tiger-skin before a Shaivite shrine holding a garland in each hand. Inscribed with Hindi verse, identifying ‘Megha-malara Raga.’ 234 by 156 mm; page 244 by 160 mm.