Two serenatas for solo voices and 4-part chorus by Nicola Porpora
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Two Serenatas for solo voices and 4-part chorus, with symphonies and accompaniments for horns, trumpets, oboes, strings, and a figured bass for harpsichord, in score, by Nicolò Porpora. Part of the first and the whole of the second are autograph. 1. 'Odi mi, Alcide.' f. 1. 2. {'Festa d'Imeneo...
A collection of songs, a motet, a symphony, a concerto and a sonata, by Nicola Porpora
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ff. 2-138. Sacred Songs, with accompaniments for strings and a figured bass for harpsichord or organ, in score, by Nicolo [Antonio] Porpora; apparently written for his pupils (Angiola Moro, etc.); 1728-1745. Nos. 1-7, 9, 10, and 12 are autograph. 1. 'In coelo stellæ claræ fulgescant': 'mottetto ...
Motets for solo voices and 4-part chorus (except no. 1),with strings and figured bass for organ, in score, written for the female pupils of the choir of the ‘Ospedaletto,’ etc. [at Venice], by Nicolò Porpora. All (except the first) are autograph and end with the ‘Gloria Patri.’ Nos. 2, 3, are da...
A collection of cantatas and a motet by Nicola Porpora
Scope & Content:
passim. Cantatas, with accompaniments for instruments and a figured bass for organ, in score; 1726 etc. By Nicola Porpora, ‘Maestro delle Figlie del Coro del Pio Ospedale d'Incurabili. 1731. In Venezia.’ Almost entirely Autograph. All written for solo voices, with a chorus of 4 mixed voices (unl...
SACRED MUSIC, in score, by Nico1ò Porpora; transcribed by Giuseppe Sigismondo. xviiith cent. Oblong Quarto. [14,130.] Giuseppe Sigismondo: Transcribed. Nicola Porpora, composer: Operas, oratorios, etc.
Seperate vocal and instrumental parts to sacred compositions of Nicola Porpora
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ff. 1-114. Motets, in parts, by Nicolo Porpora. Unless the contrary is stated, they consist of the vocal, string and organ parts. 1. ‘Siste gradus, ingrata’; for 4 voices, with horn and oboe parts, etc. f. 1. 2. ‘Turba in motu.’ The string parts for 2nd orchestra only (for score, see Add MS 1412...
Mass for 4 voices, with symphonies and accompaniments for strings, etc., and a figured bass for organ, in score, by Nicola Porpora. Composed in 1747. The ‘Kyrie‘ and ‘Gloria’ are in C; the other movements in F.