Mass for 4 voices, with symphonies and accompaniments for strings, etc., and a figured bass for organ, in score, by Nicola Porpora. Composed in 1747. The ‘Kyrie‘ and ‘Gloria’ are in C; the other movements in F.
ff. 1-53. 'Messa per i Defonti,' in E flat; for 4 voices, with symphonies and accompaniments for strings, and a figured bass for organ, in score, composed at Wittemberg in 1756 by Nicolò Jommelli. ff. 54-105b. Mass in D, for 4 voices, with symphonies and accompaniments for oboes, horns, and str...
A collection of masses and motets by Giovanni Pierluigi da Palestrina
Scope & Content:
ff. 1, 15, 56. Masses, in score, by Pier Luigi Palestrina; late 18th century. 1. [‘Sine nomine’] (4 voices). In the 4th mode. (See also Add MS 5040, f. 34b). f. 1. 2. ‘Laudate Dominum‘ (8 voices). f. 15. 3. ‘Dilexi quoniam‘ (5 voices), f. 56. ff. 53, 72-105b. Motets for 5 voices, in score, by ...
ff. 1-54. Two masses, with symphonies and accompaniments for strings, etc., in score, by Orazio Beneuoli; 1679, etc. Autograph. 1. ‘Kyrie,’ ‘Gloria,’ and ‘Credo,’ in B flat, for 2 choirs of 5 and 4 voices. f. 1. 2. Mass in C, for 4 voices; ‘1679.’ f. 35. ff. 55-60b. 'Pange, lingua‘; for 2 choi...
Mass in C (‘Kyrie’ and ‘Gloria’), for 5 voices, with symphonies and accompaniments for oboes, trumpets, and strings, and a figured bass for organ, in score, by [Pasquale] Cafaro. Autograph.
A collection of motets, a songs, and part of a mass by Gian Francesco di Majo
Scope & Content:
passim. 'Mottetti,' etc., for a treble or alto voice, by Francesco di Majo; late 18th century. No. 1 is in score; the others, in parts. 1, 2. 'Salve, Regina.' Two settings in F, with symphonies and accompaniments for horns, oboes (in no. 2), and strings. ff. 1, 27. 3. 'Quasi a procella'; with ho...