Six madrigals, in voice-score, by G. C. M. Clari. Possibly autograph. Paper; ff. 42. xviiith cent. Oblong Folio. Giovanni Carlo Maria Clari, composer: Madrigals, etc.: 18th cent.: autogr. ?.
DUETS by Clari and Durante, with bass. Paper; ff. 174. xviiith cent. Oblong Folio. Francesco Durante, composer: Duets: 18th cent. Giovanni Carlo Maria Clari, composer: Madrigals, etc.: 18th cent.: autogr. ?.
" ODE to Harmony," in score, by Philip Hart. Autograph; signed at the end. Paper; ff. 94. xviiith cent. Folio. Philip Hart, composer: Ode to Harmony, composed by: 18th cent.: Autogr.
" CEFALO e Procride ": an opera in one act, in score, by Giovanni [Battista] Buononcini; distinguished as "Opera Prima." Paper; ff. 124. xviiith cent. Oblong Folio. Giovanni Bononcini, composer: Operas: 18th cent.
"IL TRIONFO di Camilla": an opera in three acts, in score, attributed on the title to G. [B.] Bononcini. However, L. von Köchel (J. J. Fux, Vienna, 1872, p. 516) expressly states that the ',Camilla, Regina de'Volsci," by M. A. Buononcini, exists in MS. under the title of the present copy. Cf. G....
"TURNO ARICINO ": an opera in three acts, in score, by G. B. Buononcini. The attribution is confirmed by L. von Köchel, and by a copy of the same work in the same handwriting in the Dragonetti collection, Add. 15,992. Clément and Larousse, however, assign the same work to M. A. Buononcini. Paper...