'Divisions: hommage a Edvard Grieg'; undated. For orchestra. Dyeline copy of score. With inscription on front cover: "Ezra Rachlin, with all best wishes, Peter Wishart". See also sketches in MS Mus. 1751/1/5.
Peter Wishart: Instrumental music. Sketches and drafts
Scope & Content:
1. ff. 1-16, Violin concerto, no. 2. Draft short score. Pages 1-26 on bifolio rectos, ff. 1-15; pages 29-55 continuing in the reverse direction on the versos. Followed by one unnumbered page, f. 16. See also the computer print-out of the score in MS Mus. 1751/1/13. 2. ff. 17-22. 'Thoughts on Mi...
Peter Wishart: Instrumental music, sketches and drafts
Scope & Content:
1. ff. 1-9. Untitled fragments; undated. Unidentified works. Pencil sketches.2. ff. 10-55. 'Thoughts on Miss Hudson’s minuet, op. 73'; 1982. For chamber orchestra. Two scores in ink,;the second is of the revised version of the work for larger orchestra. Work based on 'Miss Hudson's minuet' by Wi...
Peter Wishart: Serenata concertante, movements I-III and V
Scope & Content:
Serenata concertante; [1991?]. For orchestra. Computer print-outs. 1. ff. 1-6. Four letters from Don Roberts to Maureen Lehane Wishart, relating to the print-outs, one undated and three dated 1991. 2. ff. 7-12. 'Serenata concertante V Habanera'. Score, incomplete. 3. ff. 13-28. 'Serenata con...
1. ff. 1-23. 'Concerto piccolo'. Peters Edition rental score, 1961, with pencil performance markings. 2. ff. 24-78. 'Concerto grosso in C major for string orchestra'; 1941. Two scores in ink. 3. ff. 79-120. 'Concerto grosso in E'; 1948. Score in ink.
Peter Wishart: Serenade in D, Five pieces for strings, Sonata, piano duet, fragments
Scope & Content:
1. ff. 1-18. 'Serenade in D'; 1966. Ink score.See also pencil sketches in MS Mus. 1751/1/12. 2. ff. 19-30. 'Five pieces for strings'. Dyeline copy of score dated 1967. 3. ff. 31-58. 'Sonata (in B flat) for piano duet'; 1949. Score in ink. With a photocopy of a score of a different version, al...
Incomplete photocopy of a score dated 1962. With a photocopy of a review of a performance of the work from the Birmingham Post & Gazette, Monday, March 3, 1958.