For harpsichord or piano and chamber orchestra. 1. ff. i, 1-52. Dyeline copy of autograph full score, pp. 1-103. Signed and dated in the original score on the final page: London, 20 October 1947. 2. ff. 53-71. Separate harpsichord part (Op. 51A) in a copyist's hand, pp. 1-29. First broadcast per...
Dyeline copy of autograph full score, vii, 72 folios (pp. 1-137). Signed and dated in the original score on the final page: London, 16 July 1948. Markings throughout in pencil and in red and blue pencil. Dedicated to 'my friend, Leon Barzin - with gratitude'. With two A4 sheets loosely inserted...
Richard Arnell: 'Lord Byron: A Symphonic Portrait', Op. 67
Scope & Content:
Two differently-marked dyeline copies of the autograph full score (both pp. 1-114). Signed and dated in the original score: London, 6 November 1952. 1. Performance markings throughout in red pencil. Tipped-in on the flyleaf, an unidentified monochrome plate of a drawing showing two figures, one ...
For violin and chamber orchestra. Dyeline copy ('composer's score') of the autograph full score, iv, 44 folios (pp. 1-88). With performance markings in pencil and red pencil. Signed and dated in the original score at the end of the work: London, 2 June 1954.
Dyeline copy of autograph full score, vi, 47 folios (pp. 1-91). Signed and dated in the original score on the final page: London, 25 June 1956. Dedicated to Sir Thomas Beecham. Performance markings in red pencil throughout.
Dyeline copy of autograph full score, 11 folios (pp. 1-19). Signed and dated in the original score at the end of the work: London, 1963. Some markings in pencil.
For piano and orchestra. Dyeline copy of autograph full score, 38 folios (pp. 1-75). Signed and dated in the original score at the end of the work: London, 2 September 1967. Commissioned by the Royal Philharmonic Orchestra to commemorate its 21st Anniversary (15 September 1967). Markings in pen...
Richard Arnell: Overture: 'The Food of Love', Op. 112
Scope & Content:
Dyeline copy of autograph full score: 29 folios (title-page and pp. 1-47). Signed and dated in the original score at the end of the work: Brunswick, Maine, 1968. Extra brass parts added in red ink (3 March 1969), as recorded on the title-page. On the verso of the title-page: 'Especially compose...