Inscription: Signed and numbered 'Bourne 279' in the negative. Genre: Landscape Photography View looking along the valley towards mountains peaks and a glacier.
Chini and its mountains. Photographer: Bourne, Samuel
Scope & Content:
Inscription: Signed and numbered 'Bourne 1499c' in the negative. Genre: Landscape Photography View looking down onto the village, with mountains beyond.
The cliff [at Rogi], near view. Photographer: Bourne, Samuel
Scope & Content:
Inscription: Signed and numbered 'Bourne 1503' in the negative. Genre: Landscape Photography View looking along the sheer cliff face, with the roadway built out from the rock.
Golden Temple, Umritsur. Photographer: Bourne, Samuel
Scope & Content:
Genre: Architectural Photography View looking across the tank towards the Golden Temple (Hari Mandir) at Amritsar. Unnumbered print, but corresponding to number 407 in the Bourne and Shepherd catalogue.
View from Palace in Fort, Lahore. Photographer: Bourne, Samuel
Scope & Content:
Inscription: Signed and numbered 'Bourne 416' in the negative. Genre: Architectural Photography Bourne no. 416. View from the fort looking towards the Badshahi Mosque, with Ranjit Singh's Tomb on the right.
Lahore from Wuzeer Khan's Mosque. Photographer: Bourne, Samuel
Scope & Content:
Inscription: Signed and numbered 'Bourne 420' in the negative. Genre: Landscape Photography Bourne no. 420. General view across the city, with one of the minarets of Wazir Khan's Mosque in the right foreground.
Jehangir's Tomb in the Shadra Gardens, Lahore. Photographer: Bourne, Samuel
Scope & Content:
Inscription: Signed and numbered 'Bourne 424' in the negative. Genre: Architectural Photography Bourne no. 424. View from the entrance gateway, looking along the garden towards Jahangir's Tomb at Shahdara near Lahore.
Kangra. Monuments of sutteeism. Photographer: Bourne, Samuel
Scope & Content:
Inscription: Signed and numbered 'Bourne 511' in the negative. Genre: Landscape Photography View of a group of sati memorial stones beneath a tree at Kangra, with figures posed on the wall surrounding the base of the trees.