Kakubha Ragini. A lady stands before a chamber and hands to her confidante a gift for her lover, who is seated a little way off. Reproduced: Ebeling (1973), 216, fig.123.
Hindola Raga. Lovers sit on a swing attended by four girls. Four peacocks are perched on the beam of the swing. See Gangoly (1935), II, pl.XXX for the Sanskrit description.
Vilavali Ragini. The blue-skinned ‘nayika’ puts the final touches to her toilet in anticipation of the arrival of her lover who is seated in an adjacent chamber; a bed is prepared in the foreground. See Gangoly (1935), II, pl.XXXIX for the Sanskrit description.
Ramakali Ragini. The lady, dressed in blue with a complexion of gold, sits facing her lover, expressing her pride by pulling her veil before her face. Reverse: traces of a pounced drawing of Siva, and a Punjabi verse in ‘nasta‘liq.’ See Gangoly (1935), II, pl.XXXII for the Sanskrit description.
Desakhya Ragini. A lover sits with his lady who is holding her arms above her head (perhaps signifying physical well-being normally associated with this subject). See Gangoly (1935), II, pl.XXXIV for the Sanskrit description.
Patamanjari Ragini. The ‘nayika’ sits being consoled by two confidantes for the parting from her lover. See Gangoly (1935), II, pl.XL for the Sanskrit description.
Lalita Ragini. The ‘nayika’ reclines on a couch in the early morning while her lover departs holding two garlands. Reverse: Punjabi verse in ‘nasta‘liq.’ See Gangoly (1935), II, pl.XXXVI for a slightly different Sanskrit description.
Dipaka Raga. The ‘nayika’ shades her face with her veil from the light of the flame burning in her lover’s headdress. See Gangoly (1935), II, pl.XLI for a slightly different Sanskrit description.
Kedara Ragini. A lady is seated on a brick plinth of a shrine to Siva with her hands joined in worship. A snake rears its head above her left shoulder. See Gangoly (1935), II, pl.XLVI for the Sanskrit description.
Kanada Ragini. A seated prince, acclaimed by courtiers, holds the gold-banded tusk of an elephant which is lying in the foreground. See Gangoly (1935), II, pl.L for a slightly different Sanskrit description.