Malarika Ragini. A girl sits by a pavilion holding a ‘vina.’ The verses describe how she weeps in dejection, her mind confused by the passion of youth. See Gangoly (1935), II, pl.LXVII for the Sanskrit description.
Desakari Ragini. A gold-complexioned girl sits on a terrace with her lover with whom she exchanges a confident glance. See Gangoly (1935), II, pl.LXXV for the Sanskrit description.
Bhupali Ragini. A lady stands in the porch of a pavilion, raising her right hand in expression of grief in separation. See Gangoly (1935), II, pl.LXXVI for the Sanskrit description.
Gujari (or Daksina-Gujari) Ragini. A girl sits on a couch strewn with flowers holding a ‘vina’ with one hand and putting the other to her ear (indicating her ability to distinguish notes and quarter-tones). See Gangoly (1935), II, pl.LXXIV for the Sanskrit description.
Tanka Ragini. The lover arriving at a chamber, finds his lady reclining on a bed, her mind distracted by separation from him. See Gangoly (1935), II, pl.LXXVII for the Sanskrit description.
Gunakali Ragini. A disconsolate lady is seated on a chair beneath a canopy on a terrace. She has discarded her jewellery on to the ground and three maids stand by to console her. By Mohan Singh. 239 by 144 mm.
Kakubha Ragini. A couple is engaged in sexual intercourse on a terrace beneath a canopy. By Udwat Singh. 226 by 137 mm. Note: The Persian inscription refers to ‘the science of love-making, which the people of Hind call ‘Kama shastra’’.
Hindola Raga. The hero sits on a swing with his lady, holding a ‘vina’ in one hand. Two maids swing them and a third offers a cup of wine. Waterfowl are massed on the lake beyond. 220 by 133 mm.
Vilavali Ragini. A lady with blue complexion is seated against yellow cushions on a terrace, holding betel to her lips. A lake is beyond beneath a stormy sky. By Ghulam Reza. 222 by 138 mm.