Vol. XV. 1. POETICAL pieces, translations and original, in Latin, Greek, English, and German; written between 1812-1817, f. 1. 2. Miscellaneous early notes, 1809-1824, among which may be named: - a parallel between Racine's Phèdre and the Hippolytus of Euripides, Apr. 1813, f. 64;-on Pausanias...
George Gascoigne and Francis Kinwelmersh, ‘Jocasta’
Scope & Content:
Scribal presentation copy of the Inns of Court drama Jocasta, a tragedy in blank verse attributed to George Gascoigne (1534/5?–1577), author and soldier, and Francis Kinwelmersh [Kinwelmershe, Kindlemarsh], (bap. 1538), poet. First performed during the Gray’s Inn Christmas to Lent revels in 156...
LAYARD PAPERS. Vol. CXLV (ff. 237). 1. Notes on art subjects, partly in Sir A. H. Layard's hand. f. 1. 2. Drafts of poems, etc., including a [italics]copy[/italics] (f. 81) of Walter Savage Landor's poem 'To Layard, Discoverer of Nineveh' ([italics]Works,[/italics] 1876, viii, p. 257), address...
FOULDS COLLECTION. Vol XI. 'Three choruses in the Hippolytus of Euripides' for women's chorus with accompaniment for small orchestra and harp (text translated by Gilbert Murray), from op. 84; 1928. Vocal score. Partly pencil. ff. iii+14. Largest size 350 x 270mm. Euripides: George Gilbert Aim...
GUSTAV HOLST COLLECTION (PART II). Vol. XV. Full score; 1913. Annotated with red ink and pencil markings. Published Stainer & Bell, 1914. ff. ii+29. 421 x 332mm. Quarter binding of red cloth on grey boards with autograph title on the front cover. Henry Balfour Gardiner, composer: G. Holst...
GUSTAV HOLST COLLECTION (PART II). Vol. XVI. Arrangement for piano and strings; [1913]. Full score, made up from the printed piano and voice lines, with the string parts added in MS. ff. i+18. Largest size 350 x 268mm. Quarter binding of red cloth on grey boards with black lettering to the fro...
GUSTAV HOLST COLLECTION (PART II). Vol. XXVII. 'Seven choruses from the Alcestis of Euripides' (translated: Gilbert Murray), for voices in unison, harp and three flutes, H 146; [1920]. Score. Annotated in pencil, crayon and red ink with engraver's markings. Originallly five choruses (see f. 1), ...
Lutyens Collection. Vol. ccxlix. ff. 37. 1. 'After the Songless Rose of Evening', for soprano and string quartet; n.d. Pencil full score. (ff. 1-2) 360 x 270mm. 2. Cecil Gray: Andromache's Aria from 'The Women of Troy', opera in one act (words, Euripides translated by Cecil Gray), adapted...