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Name Morley, Thomas, composer and writer

1. 3437.g.19.

Reference (shelfmark):
3437.g.19.
Title:
PSALM TUNES; after 1712. Added in MS. on inter-leaves to the printed volume The Whole Books of Psalms…by Thomas Sternhold, John Hopkins, and others (Printed by William Pearson, 1712). Those marked a, below, are for 4 voices and, unless the contrary is stated, taken from an edition of Thomas Ravenscroft’s Whole Book of Psalmes; those marked b, from John Playford’s 3-part setting of the same collection (? chiefly the 1713 edition); and those marked a, b, from both these latter works. At the be...
Scope & Content:
Robert Parsons, composer: Thomas Tallis, composer and organist: John Ward, composer: Thomas Morley, composer and writer: Music: Psalms: Thomas Ravenscroft, composer and editor: John Playford, the elder; composer and music-publisher: Giles Farnaby, composer: John Farmer, composer: John Bennet, co...
Collection Area:
Music Collections
Languages:
English
Date Range:
after 1712
Extent:
1 item

2. Add MS 23625

Reference (shelfmark):
Add MS 23625
Title:
Dedicated Canzonets, in score, by Thomas Morley.
Scope & Content:
ff. 1-67b. Canzonets, in score, by Thomas Morley, transcribed by Thomas Barrow from (1) 1593 (ff. 1-48), and (2) 1595 (ff. 49-67b). The initial words are given in the Index to the present Catalogue. ff. 68-78. Fantasias for 2 instruments, in score, published at the end of the 1st edition of Th...
Collection Area:
Music Collections
Languages:
English and Italian
Date Range:
18th century
Extent:
1 volume (78 folios)

3. Add MS 28757

Reference (shelfmark):
Add MS 28757
Title:
A collection of psalms and madrigals
Scope & Content:
Five psalms for 3 voices, in score, by Claude Le Jeune [1607-1608?].1. ‘Dieu nous soit doux.’ f. 1.2. ‘O Seigneur, que de gens.’ f. 19.3. ‘Helas! Seigneur.’ f. 23b.4. ‘Misericorde au pauvre vicieux.’ f. 29.5. ‘J'ay de ma voix à Dieu crié.’ f. 35. Madrigals for 3 voices, in score.1. 'Come, Shep...
Collection Area:
Music Collections
Languages:
English and French
Date Range:
Early 18th century
Extent:
1 volume

4. Add MS 29289

Reference (shelfmark):
Add MS 29289
Title:
A collection of single parts of services, and single parts of anthems
Scope & Content:
ff. 1-119b passim. Single parts of Church Services (altus, unless the contrary is stated). The number of voices for which they are written is not generally indicated. 1. Morning Service. Imperfect at the beginning. '[Robert] Parsons.' f. 1. 2. Second evening Service, apparently in F. By the same...
Collection Area:
Music Collections
Languages:
English
Date Range:
1629?
Extent:
1 volume

5. Add MS 29291

Reference (shelfmark):
Add MS 29291
Title:
A collection of part-songs, canons, catches, glees, parts of services, vocal trios and duets, as well as some instrumental music
Scope & Content:
ff. 3-56 passim. Part music, for 4 voices (unless the contrary is stated), in score; 18th cent. 1. 'Hark, jolly shepheards.' 'Thos Morley.' [1594.] f. 3. 2. 'Dare you haunt' ('The Fayries daunce'). 'Thos Ravenscroft.' [From .] '1614.' f. 10. 3. 'Awake, sweet Love.' This and nos. 4-6 [from the ],...
Collection Area:
Music Collections
Languages:
English, Italian, and Latin
Date Range:
17th century-18th century
Extent:
1 volume

6. Add MS 29372-29377

Reference (shelfmark):
Add MS 29372-29377
Title:
'Tristitiæ Remedium. Cantiones selectissimæ diuersorum tum authorum tum argumentorum labore et manu exaratæ Thomæ Myriell. 1616.' Anthems, part-songs and motets, in 4, 5 and 6 parts.
Scope & Content:
Vol. i containing the cantus part; ii, the altus; iii, the tenor; iv, the bassus; v, the quintus; and vi, the sextus. The title-page is engraved. In the original tooled leather binding, stamped with the initials T. M A list of authors is on the fly-leaf of the bass part.
Collection Area:
Music Collections
Languages:
English and Latin
Date Range:
1616
Extent:
6 volumes

7. Add MS 29380-29381

Reference (shelfmark):
Add MS 29380-29381
Title:
A collection of chansons, madrigals, and a motet
Scope & Content:
Eleven chansons for 3 voices by various (mostly French) composers, scored by John Immyns. Three psalms for three voices in score, by Cl[aude] le Jeune. A motet for 3 voices, in score, by Josquin des Pres.
Collection Area:
Music Collections
Languages:
English, French, Italian, and Latin
Date Range:
18th century
Extent:
2 volumes

8. Add MS 29382-29385

Reference (shelfmark):
Add MS 29382-29385
Title:
Part-songs and other compositions, for two, three, and four voices, by William Byrd, John Farmer, Thomas Morley, and other composers
Scope & Content:
Copied by John Immyns. In separate parts. Add MS 29382 contains the canto part. Add MS 29383 contains the alto part. Add MS 29384 contains the tenor part. Add MS 29385 contains the bass part.
Collection Area:
Music Collections
Languages:
English, French, Italian, and Latin
Date Range:
18th century
Extent:
4 volumes

9. Add MS 29393-29395

Reference (shelfmark):
Add MS 29393-29395
Title:
A collection of short vocal pieces, most of them for 3 voices, in parts
Scope & Content:
Add MS 29393 contains the cantus part (also referred to as part 1, haute or dessus). Add MS 29394 contains the medius part (also referred to as part 2 or moienne). Add MS 29395 contains the bassus part (also referred to as part 3 or basse part). In the hand of John Immyns.
Collection Area:
Music Collections
Languages:
English, French, and Latin
Date Range:
18th century
Extent:
3 volumes

10. Add MS 36484

Reference (shelfmark):
Add MS 36484
Title:
A collection of bass parts for various compositions
Scope & Content:
passim. Vocal compositions, apparently in the hand of David Melvill alias Melvine, whose name is written in a contemporary hand at the bottom of every page. Unless the contrary is stated, they are for 4 voices. Bass part. The composers' names are not given. {See the Melvill Book of Roundels, Rox...
Collection Area:
Music Collections
Languages:
English, French, Italian, and Latin
Date Range:
after 1604
Extent:
1 volume (71 folios)