British Agency, Gilgit, 1897. Photographer: Godfrey, Stuart Hill
Scope & Content:
Genre: Architectural Photography View looking across the garden towards the Gilgit Agency bungalow, with mountains rising on the skyline beyond. The woman standing with a parasol on the lawn is probably Godfrey's wife Guendolen.
My bedroom, Gilgit Agency. Photographer: Godfrey, Stuart Hill
Scope & Content:
Genre: Architectural Photography Close view of one side of the Gilgit Agency bungalow, with a woman (presumably Godfrey's wife Guendolen) standing on the left.
A faded and very indistinct snapshot showing the tame ibex in the garden of the Gilgit Agency bungalow. Probably taken on the same occasion as print 7.
Shrine on Dargai Road, Malakand. Photographer: Unknown
Scope & Content:
Close view of a crude shrine at the edge of the road, constructed from rubble masonry and topped with flags. A local man is seated on the wall in the foreground. A slip of paper inserted in the album reads 'Views of Malakand Pass as shewn to T. R. H. the Duke and Duchess of Connaught on the Roya...
Interior of a workshop, with seated figures in the foreground. It is unclear what is being produced. A slip of paper inserted in the album reads 'Views of Malakand Pass as shewn to T. R. H. the Duke and Duchess of Connaught on the Royal visit there after the Delhi Durbar.' It has been assumed th...
Inscription: Numbered '33' in the negative. Genre: Urban Topographical Photography View looking along the road running beside the railway line, towards the station at Dargai, with freight wagons in a siding.
Malakand Fort and officers' houses. Photographer: Unknown
Scope & Content:
Inscription: Numbered '40' in the negative. Genre: Landscape Photography View looking down towards the fort, with a line of officers' bungalow running along the ridge in front, and with mountains rising steeply behind.