Portion of the façade of the Jami Masjid, Bharuch. Photographer: Cousens, Henry
Scope & Content:
Genre: Architectural Photography View looking south-east along the façade. A better photograph than print 1834. The published India Office list of negatives gives no. 1835 as an interior view of the mosque. This is evidently a confusion with a surviving negative of the interior (listed as 1835a...
Central portion of the façade of the Rani Masjid or Queen's Mosque, Mirzapur, Ahamadabad, from the north-east. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Showing the entrance arch and flanking truncated minarets. Photograph 'Taken by order of Major Cole, by an Army sergeant.'
Central portion of the façade of the Rani Masjid or Queen's Mosque, Mirzapur, Ahamadabad, from the south-east. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Taken from outside the courtyard, and with part of the façade obscured by the wall in the foreground. Photograph 'Taken by order of Major Cole, by an Army sergeant.'
Ruined palace building at the south-west corner of the Great Tank, Sarkhej, near Ahmadabad. Photographer: Cousens, Henry
Scope & Content:
Genre: Architectural Photography This is the structure marked 'F' on the plan in Burgess, 'Archaeological Survey of Western India', VII, plate 55. Printed from a broken glass plate.
Central portion of the east façade of the Jami Masjid, Champaner. Photographer: Cousens, Henry
Scope & Content:
Genre: Architectural Photography Head-on view of the entrance and flanking minarets, the latter partially obscured by foreground trees and with the top half out of the photograph.
Wood carving on the front of the Dwarkanath Temple, Ahmadabad. Photographer: Cousens, Henry
Scope & Content:
Genre: Architectural Photography View looking along the main façade, showing elaborately carved balconies, brackets and pillars. This appears to be the haveli temple (ie, a temple in which the upper floor is used for domestic accommodation) illustrated on pp. 184-5 and 192 of V. S. Pramar, Have...