Search

Subject Catches

21. Add MS 29395

Reference (shelfmark):
Add MS 29395
Title:
Volume III of a collection of short vocal pieces, most of them for 3 voices, in parts
Scope & Content:
ff. 2-5. Canons for 3 voices, in parts, by [John] Travers. 1. 'In amore hæc omnia insunt vitia.' f. 2. 2. 'Nemo vir magnus.' f. 3b. 3. 'Maxima debetur Pueris Reuerentia.' f. 4. 4. 'Oderunt peccare boni.' f. 4b. 5. 'Proximus a tectis Ignis.' f. 5. ff. 6, 7b. Two Canons for 3 voices, in parts, b...
Collection Area:
Music Collections
Languages:
English, French, and Latin
Date Range:
18th century
Extent:
1 volume

22. Add MS 29397

Reference (shelfmark):
Add MS 29397
Title:
A collection, largely of songs, duets and catches
Scope & Content:
passim. Songs for the most part unaccompanied, but occasionally with a bass for harpsichord, in score. Many are taken from John Playford's , 1673-1683, the , 1685, and other collections of that period. See indices by Thomas Oliphant at the beginning and end of the volume. 1. 'The bright Clarinda...
Collection Area:
Music Collections
Languages:
English and Italian
Date Range:
1682?-1690?
Extent:
1 volume

23. Add MS 30273

Reference (shelfmark):
Add MS 30273
Title:
Collection of glees, catches, rounds, etc. by Samuel Webbe, sen., John Wall Callcott, John Stafford Smith, Henry Purcell, Dr. Thomas Augustine Arne, William Lawes, and other English composers of the 18th century
Scope & Content:
Rounds, catches and cries for three or four voices. Around 1833 (watermark, f. 35). f. 2. ‘Non nobis, Domine’; for 3 voices, in score, attributed to William Byrd; followed by two ‘Amens,’ for 3 and 4 voices. ff. 4, 5b. Glees for 3 voices, in score, by Dr. Henry Harington. 1. 'What shall we si...
Collection Area:
Music Collections
Languages:
English
Date Range:
c 1833
Extent:
1 volume (53 folios)

24. Add MS 30521

Reference (shelfmark):
Add MS 30521
Title:
Poems of Robert Bloomfield set to music by Matthew Cooke, Organist of St. George's, Bloomsbury; 1824. Preceded by two elegies on the poet; and followed by 'Love in a shower' set as a three-part glee by R. A. Firth.
Scope & Content:
f. 1. 'Wine, beauty, smiles and social Mirth'; for 3 voices, in score, by Matthew Cooke, 1824. Autograph. The words are from The Remains of Robert Bloomfield (1824). ff. 3-16b passim. Elegies, etc., in score, by Matthew Cooke. Autograph. Words of nos. 1-3 by Robert Bloomfield. 1. 'Beneath this...
Collection Area:
Music Collections
Languages:
English
Date Range:
1824
Extent:

1 volume (20 folios)

25. Add MS 30956

Reference (shelfmark):
Add MS 30956
Title:
Songs written and composed by Charles Dibdin for his Table, or Sans Souci, Entertainments. Volume 6.
Scope & Content:
Passim. Numbers, with accompaniments for horns, oboes, and strings (unless the contrary is stated), in score, from dramatic compositions, most of them by Charles Dibdin, and autograph. 1. 'Affrighted thus the Fisher finds.' f. 1. 2. 'Blest with your charms'; with flutes, etc. [From 'The Villai...
Collection Area:
Music Collections
Languages:
English
Date Range:
18th century-19th century
Extent:

1 volume (90 folios)

26. Add MS 30957

Reference (shelfmark):
Add MS 30957
Title:
Catches and glees composed by Charles Dibdin for his dramatic works, many with full orchestral accompaniments.
Scope & Content:
Passim. Catches composed, or collected, by Charles Dibdin, and apparently intended for insertion, with instrumental accompaniments, in some of his dramatic works. They are for 3 voices and in score, unless the contrary is stated. 1. 'Alas, poor Nick' (à 4). Anonymous. f. 1. 2. 'Come, honest frie...
Collection Area:
Music Collections
Languages:
English
Date Range:
18th century-19th century
Extent:

1 volume (80 folios)

27. Add MS 31222

Reference (shelfmark):
Add MS 31222
Title:
A collection of pieces by Samuel Wesley
Scope & Content:
f. 2b. 'Kyrie,’ for 4 voices, with a bass for organ, in score, intended for a Mass, ‘De Sancta Cruce,’ by Samuel Wesley; about 1780. Autograph. ff. 3b-26. Antiphons, etc., with a bass for organ (unless the contrary is stated), in score, by Samuel Wesley; 1780, 1781. Autograph. 1. ‘Sacerdos et ...
Collection Area:
Music Collections
Languages:
English, Italian, and Latin
Date Range:
1780-1782
Extent:
1 volume (49 folios)

28. Add MS 31922

Reference (shelfmark):
Add MS 31922
Title:
A collection of songs, ballads, and instrumental pieces, composed early in the reign of Henry VIII
Scope & Content:
passim. Compositions for 3 voices (unless the contrary is stated), in parts, apparently written early in the reign of Henry VIII (see for 1882-1887, p. 7). {Severeal published by the Roxburghe Club in 1912} {See J. E. Stevens 'Rounds and Canons from an early Tudor Song Book', Music and Letters,...
Collection Area:
Music Collections
Languages:
English and Latin
Date Range:
1st half of the 16th century
Extent:
1 volume (129 folios)

29. Add MS 32012-32021

Reference (shelfmark):
Add MS 32012-32021
Title:
Compositions of Thomas Miles
Collection Area:
Music Collections
Languages:
English, Italian, and Latin
Date Range:
19th century
Extent:
10 items

30. Add MS 32019

Reference (shelfmark):
Add MS 32019
Title:
A collection of songs, duets, an air, and a round, by Thomas Miles
Scope & Content:
ff. 1-55, passim. Songs, mostly with pianoforte accompaniment, by Thomas Miles; 1814-1853. Autograph. 1. 'As in the cool of early day': Recitative and Air, 1814. f. 1. 2. 'Sweet Rose, conceal thy lovely head': Canzonet, 1815. f. 4. 8. 'Deep in this Breast thine Image lies,' 1819. f. 6. 4. 'We ha...
Collection Area:
Music Collections
Languages:
English and Italian
Date Range:
19th century
Extent:
1 volume (64 folios)