Includes: ff. 4b, 5b, 6b, 7b. The hundredth psalm, for 4 voices, in score, harmonized by John Dowland. In the hand of Dr. John Wall Callcott. The words [‘All people that on earth do dwell ‘] are omitted.
A collection of church music by Dr. Thomas Sanders Dupuis, including services, anthems, hymns, canons and chants
Scope & Content:
ff. 3, 19, 51b, 74b. Four Services, the first three with a figured bass, in score, by Dr. Thomas Sanders Dupuis; about 1753-1766 (see ff. 35, 74). Only the last appears to be holograph, but the others have numerous autograph corrections and alterations. 1. Morning Service (Te Deum and Jubilate) ...
A collection of arias, songs, hymns, airs, and other melodies
Scope & Content:
passim. Arias, etc., with a figured bass for harpsichord (except where the contrary is stated), in score; first half of 18th cent., etc. 1. 'A soldier and a sailor' [from 'Love for love,' by John Eccles, 1695]. f. 3b. 2-4. Three arias, the first with an additional violin part, from 'Rinaldo,' by...
A collection of pieces transcribed, and mostly composed by, Samuel Wesley.
Scope & Content:
f. 1b. 'Faint is my head‘: 4-part Hymn, in score, the melody being in the tenor; the music by Dr. William Boyce, the words by the Rev. C[harles] Wesley; about 1825-1829. ff. 4b-10, 11b, 12b. Double Chants (with one exception), for 4 voices, with a compressed score for organ below, in score, mos...
passim. 'The whole psalmes in four partes, whiche may be song to al musicall instrumentes . . . Imprinted at London by John Day . . . 1563. Scored by Joseph Warren [from the original parts at Brasenose College]; 1870-1871.’ For a further account of the work, see the preface at the beginning' of ...
A collection of anthems, hymns, sacred songs, and a canon
Scope & Content:
passim. Anthems taken from a collection of autograph compositions by Thomas Miles; 1823-1849. Unless the contrary is stated, they are full anthems, with accompaniments for organ or pianoforte, and are in score. Most of the Anthems in this volume are described by the composer as psalms or hymns a...
Hymns, in score, by Thomas Miles; Autograph. Many of them do not follow strictly the usual form of the English hymn, the parts being sometimes written independently of each other, and occasionally even solo parts being introduced. Most of them are for 4 voices, and without accompaniment; but in m...
passim. Anthems taken from a collection of autograph compositions by Thomas Miles; 19th century. Unless the contrary is stated, they are full anthems, with accompaniments for organ or pianoforte, and are in score. The Anthems in this volume are settings of James Merrick's metrical versions of so...
