Mass for 4 voices, with symphonies and accompaniments for strings, etc., and a figured bass for organ, in score, by Nicola Porpora. Composed in 1747. The ‘Kyrie‘ and ‘Gloria’ are in C; the other movements in F.
Motets and parts of a mass by Giovanni Battista Pergolesi
Scope & Content:
ff. 1, 168. Motets, followed by ‘Gloria Patri’; for several voices, with symphonies and accompaniments for oboes, trumpets, and strings, and figured basses for organ, in score, by the same. 1. ‘Dixit Dominus‘ (for two choirs of 5 voices each), f. 1. 2. ‘Domine ad adjuvandum’ (à 5). f 168. ff. 5...
ff. 1-53. 'Messa per i Defonti,' in E flat; for 4 voices, with symphonies and accompaniments for strings, and a figured bass for organ, in score, composed at Wittemberg in 1756 by Nicolò Jommelli. ff. 54-105b. Mass in D, for 4 voices, with symphonies and accompaniments for oboes, horns, and str...
Volume I of a collection of sacred music by Niccolò Jommelli
Scope & Content:
ff. 1-76. 'Kyrie‘ and ‘Gloria‘ in F, for 2 trebles and 2 altos, with accompaniments for oboes and strings, and a figured bass for the organ, in score, written by Nicolò Jommelli, in 1745, for the Conservatoire at Venice. ff. 77, 104. Two settings of the psalm, ‘Miserere mei, Deus,’ in score, b...
A collection of masses and motets by Giovanni Pierluigi da Palestrina
Scope & Content:
ff. 1, 15, 56. Masses, in score, by Pier Luigi Palestrina; late 18th century. 1. [‘Sine nomine’] (4 voices). In the 4th mode. (See also Add MS 5040, f. 34b). f. 1. 2. ‘Laudate Dominum‘ (8 voices). f. 15. 3. ‘Dilexi quoniam‘ (5 voices), f. 56. ff. 53, 72-105b. Motets for 5 voices, in score, by ...
ff. 1-54. Two masses, with symphonies and accompaniments for strings, etc., in score, by Orazio Beneuoli; 1679, etc. Autograph. 1. ‘Kyrie,’ ‘Gloria,’ and ‘Credo,’ in B flat, for 2 choirs of 5 and 4 voices. f. 1. 2. Mass in C, for 4 voices; ‘1679.’ f. 35. ff. 55-60b. 'Pange, lingua‘; for 2 choi...