Inscription: Numbered '171-172' in the negative. Genre: Architectural Photography Panoramic view composed of two joined prints, looking along the riverbank towards the fort and the bridge across the Swat River at Chakdarra.
Inscription: Numbered '39' in the negative. View looking towards the bridge across the Swat River at Chakdarra, with a portion of the fort visible on the right.
Inscription: Numbered '41' in the negative. Genre: Landscape Photography View looking across fields towards fortifications on the hillside beyond. This show the ridge just behind the fort at Chakdarra and overlaps with print 173.
Inscription: Numbered '40' in the negative. Genre: Landscape Photography View looking across the Swat River towards the fort at Chakdarra, with additional fortifications on the hillside to the left, and the bridge across the Swat River on the right.
[Prints 174-202: miscellaneous views, the majority uncaptioned, of scenes in the North-West Frontier] Photographer: Unknown
Scope & Content:
Genre: Landscape Photography Group of 29 small prints, the majority uncaptioned, but mainly showing river and mountain landscapes in the North-West Frontier, probably mostly following the Panjkora River in the vicinities of Charsadda, Malakand and Dir. Print 182 certainly shows the bridge acros...
Looking down the Pei-ho River toward North Fort and bay, from Northwest Fort, Taku, China. Photographer: James Ricalton for Underwood and Underwood
Scope & Content:
Pei-ho River in the far distance. Bastions of the Northwest Fort with a breech-loading rifle are in the foreground. A British Marine, in a white uniform, stands to the right holding a Lee-Mitford rifle at his side.
Y.M.C.A. room for soliders of the allied armies—formerly a notorious dive—on the busiest street of Peking, China. Photographer: James Ricalton for Underwood and Underwood