Entrance to monastery, Patan (Nepal). January 1855. Artist(s): Oldfield, Henry Ambrose (1822-1871)
Scope & Content:
Entrance to monastery, Patan (Nepal). January 1855. Inscribed on back in ink: ‘Entrance to 'Huk-Vihar'; Patun. (Buddhist Monastery). January. 1855.’ Water-colour; 15 by 11 ins.
N. front of monastery, Patan (Nepal). July 1855. Artist(s): Oldfield, Henry Ambrose (1822-1871)
Scope & Content:
N. front of monastery, Patan (Nepal). July 1855. Inscribed on front in ink: ‘H.A. Oldfield. Nepal’; on back: ‘The north front of 'NoBihee', Patun. July 1855’; also notes. Water-colour; 8.75 by 13.25 ins.
Interior courtyard of monastery, Patan (Nepal). Artist(s): Oldfield, Henry Ambrose (1822-1871)
Scope & Content:
Interior courtyard of monastery, Patan (Nepal). c.1855. Inscribed on front in ink:’ H.A. Oldfield. Nepal’; on back: ‘Interior of Nau-Vihar, in Patun.’ Water-colour; 10 by 13.5 ins.
Inscribed on reverse: 'Interior of a ‘Goomba’ or Lama Priests residence at Sambhunath. In the Centre of the Chamber is a large copper cauldron, full of Ghee in which the ‘Everlasting’ fire is kept burning...Octr. 1855'. Artist(s): Oldfield, Henry Amb
Scope & Content:
Inscribed on reverse: ‘Interior of a ‘Goomba’ or Lama Priests residence at Sambhunath. In the Centre of the Chamber is a large copper cauldron, full of Ghee in which the ‘Everlasting’ fire is kept burning. The gilt figures of Buddha Sakya Linger, as well as the paintings on the wall, and those...
